The sago palm now nestles nicely in the front hall. / Photo by Stephanie Cavanaugh.
I SUPPOSE fall has finally arrived. The trees are turning red and orange. It’s time for sweaters, if not coats, and I bought tabi socks—Japanese-style socks with a separate toe—so I can continue to wear my beloved Birkenstock Gizahs, essentially orthopedic flip-flops, outdoors for at least a few more weeks.
The spring bulbs are in place, pink and purple tulips and purple allium that will pop up amid the pansies and cabbages beginning sometime in March.
Meanwhile, the dining room is a tropical staging area, jammed with philodendron, pink and orange hibiscus, jasmines and small orange, Meyer lemon and lime trees.
The General will come inside too, after summering on the back porch. / Photo by Stephanie Cavanaugh.
These live outdoors in pots for the summer, on the back porch or in the garden, tucked among the hydrangeas, pretty much the only hardy perennials I can grow, given the mistake that is the kwanzan cherry tree which, like Audrey, the plant in Little Shop of Horrors, threatens to eat the minuscule plot. Read tags before buying, I remind myself!
There are, I think (don’t bother me with counting), 30 or so pots huddled on the dining room floor. Some are huge: The white bird of paradise, now over 7 feet tall, threatens to break The Prince’s back. Some are tiny, for a handful of orchids.
None can remain outdoors when the temperature hits freezing, as it has threatened to do several times in the past week. And so, last weekend, in they came, ready to assume their winter positions.
The leafy parlor palms are back behind the living room sofa, the ponytail palm is between the bedroom windows, the sago palm is back on its pedestal in the front hall, and once I tidy the little solarium outside my second-floor office, the rest will happily winter over in that warm sunny space, the miniature fruit trees and jasmine budding out in December, filling the house with fragrance.
Most of the leaves of the giant elephant ear that I talked about a week or so ago had to be lopped off; some were given away, others are in vases here and there. Big Mama will be dug up and put into a pot as soon as we find one big enough: It’s too much fun to store away and it will continue to leaf out throughout the winter. My more meager specimens have been unearthed and trimmed back, the bare bulbs tossed into an open metal box and shoved under a table. They’ll come back fine in spring.
While I love my outdoor garden, I might love it even more when it comes inside to complement the gray-green walls, the leopard-print velvet dining-room seats, the bronze monkey lamp, the gilded leaves, feathered lampshades, sequined birds and other jungle dreck I have managed to accumulate over the years.
Of course, more would be more. I’m contemplating a palm-print wallpaper for the kitchen to go with the palm chandelier hanging from the ceiling. A long and narrow green marble slab atop two urns as a side table would be nice, and on the wall (what wall do I have left?) garden and flower photos from Havana and Rome to go along with a favorite one that Baby took years ago of a royal palm on Grand Cayman that now hangs in the living room.
The painting of The General, will move from the porch, where he presides over the mojitos, to the dining room for the winter. He makes me laugh.
Laughter, I think, is something we all need rather desperately.
—Stephanie Cavanaugh
LittleBird Stephanie reports on the green goings-on in and around her house in the Capitol Hill neighborhood of Washington DC every Thursday.
I’M STILL in the butler’s pantry counting the sets of dessert plates: never enough! Maybe because I miss Jeremiah, and because LittleBird Kathy has just lost Buster, I’m drawn to all things canine these days. But I’m ecumenical about four-legged and feathered creatures: Cats, birds, raccoons, whatever, I’m in. Wild boars? Probably best as a sauce over pasta, but in this case you can have one with dessert!
Give the salad course a whole new look with Anthropologie’s Dog-a-Day plates, also available at Nordstrom. Let the (Mountain) Lion lie down with the Beaver or the Rabbit (I didn’t see a lamb) with Dapper Animals dessert plates from West Elm. Pottery Barn’s giddy reindeer appetizer plates are already classics—time to take the plunge?
The best thing? Aside from melting our hearts a little around the edges, these guys, wild or domesticated, don’t have to be lassoed or even walked. And you can let your dinner guests pick their favorite. Apart from you, that is.
—Nancy McKeon
From Haviland, eminent creator of fine Limoges china, come Les Frenchies, a set of four large (9½-inch) dessert plates, showcasing (clockwise from top right) the fierce-looking, beret-wearing Louis; François in his three-piece suit; Charles, the despondent-looking bulldog (French ennui, perhaps?); and Henry, a happy hound wearing a red bowler hat. The set is $260 at Neiman Marcus.
Cats and dogs get along in Rachael Hale’s Glamour Dogs ($8.99) and Glamour Cats ($7.99) paper cake plates. But just in case, the 9-inch plates are sold separately in packages of 16 at Target.
Designer Sally Muir set herself the goal of drawing one pooch a day for a year. A selection of her faves constitute the four 8½-inch stoneware Dog-a-Day dessert plates shown here (there are more): clockwise from top left, a not-afraid-to-look-goofy Hound (we think he’s Bob from West Virginia), a wary Pug, a wistful Dachshund and a feisty Westie. They are $14 each at Nordstrom or Anthropologie.
Also from Sally Muir is this Dog-a-Day Dachshund Platter. It’s 17 inches long and $42 at Anthropologie.
West Elm clearly doesn’t think the animal kingdom is properly garbed. Hence, Dapper Animals, paintings “dressed and accessorized” by designer Rachel Kozlowski. This quartet includes a Bison dandy, a Beaver, a very feminine Mountain Lion, a Mallard Duck and a wise old Owl (in fact, he kinda looks like an accountant). Each 8½-inch porcelain plate is $10 at West Elm. But there’s more . . .
More Dapper Animals include a Rabbit, a friendly Fox (see how he gazes with “friendly” interest at the Rabbit?), a cocky rooster, a proud Wild Boar and Blue Jay and, at the top, what we think is a sweet Otter (not sure). These 8½-inch porcelain dessert plates are $10 each at West Elm.
LEFT: With “the season” soon upon us, what better to have than some giddy reindeer for guests’ nibbles? The 6½-inch porcelain plates feature Dasher, Dancer, an all-too-obvious Vixen and the inevitable Prancer. The set of four is on sale for $29.50 at Pottery Barn. (A second set of reindeer plates features Santa’s other four-legged helpers.) RIGHT: This 7½-inch stoneware Cat Figural Plate is cool enough to have a life beyond Halloween. It’s on sale for $6.99 at Pottery Barn.
MyLittleBird often includes links to products we write about. Our editorial choices are made independently; nonetheless, a purchase made through such a link can sometimes result in MyLittleBird receiving a commission on the sale, whether through a retailer, an online store or Amazon.com.
MyLittleBird often includes links to products we write about. Our editorial choices are made independently; nonetheless, a purchase made through such a link can sometimes result in MyLittleBird receiving a commission on the sale, whether through a retailer, an online store or Amazon.com.
Now you see it (on the front), now you don’t (above). Legendary Washington columnist Diana McLellan devised a way to camouflage her ungainly recycling bin by fashioning a fake-ivy “tea cozy.” / Photos by Stephanie Cavanaugh.
RECYCLABLE TRASH day came late this week, who knows why. So the bilious blue plastic cans remained curbside for most of the week. Not a pretty sight.
Who decided on that color? They certainly can’t be missed, if that was the intent. But wouldn’t a pleasant, inconspicuous shade of, say, brown have blended a little better within our neighborhoods? Didn’t we once have brown ones?
Anyway, there they sit, huddled beside the front steps, at least two as a rule. The blue ones and the standard phlegm-green numbers boldly stamped with the DC logo and the legend, “Keep It Clean” bordered by a postage-stamp scallop. Welcome home!
Author and Queen of Washington Gossip Diana McLellan, who passed away a few years ago, was particularly irked by these wretchedly ugly trash receptacles sprouting like tacky gnomes amid the geraniums.
“It was so depressing, darling,” the British transplant gloomed. “We used to put the garbage out back, true of a lot of people in the city. But now they pick up in the front, and you don’t want to drag your garbage from the backyard through the house.”
No, you most certainly do not. Nor do you want to leave them out front. So.
McLellan’s ingenious solution was to buy a 10-x-3-foot roll of PVC ivy on a strong but bendable backing, cut it to size and lace it into a feather-light cage.
“Take pictures,” she insisted, figuring at some point I’d do something with her idea.
“Garbage should vanish,” she said, dropping the topper over the can with the flick of a finger, demonstrating how quickly it blended with her ivy-covered fence.
If you don’t have ivy (though McLellan maintained that most people “have a patch”), the goods are available in a variety of ever-greenery from a number of cheesy catalogues, where it’s generally displayed adorning trailer parks. Available at Domestify, and other purveyers of fine dreck for around $50, a single roll is sufficient to cover a can, and once done it’s eternally yours.
The really crafty might add a topiary handle. A replica of the Memorial Bridge, perhaps, anchored to the lid with winged horses.
McLellan toyed with the idea of patenting her creation but had second thoughts. “It’s a tea cozy for garbage!” she trilled, adding a dollop of patented acid: “Anyone can buy the crap from a catalogue and do it.”
—Stephanie Cavanaugh
LittleBird “Stephanie Gardens” appears every Thursday, sometimes with solutions to problems you didn’t know you had.
MyLittleBird often includes links to products we write about. Our editorial choices are made independently; nonetheless, a purchase made through such a link can sometimes result in MyLittleBird receiving a commission on the sale, whether through a retailer, an online store or Amazon.com.
This tabletop arrangement was created by floral designer Scott Robertson of Stems Fleur of Cleveland, Ohio. The display was for Inspirations in Bloom, benefiting the historic Stan Hywet Hall in Akron, Ohio. / Photo by Scott Robertson.
THIS WEEKEND promises the first snap of fall weather, and the annual issue of hauling the tropics in to my little greenhouse.
Space must be found for the palms, the jasmines and the hibiscus, and most particularly the mother of all elephant ears, a giant that wintered over last year that grew over the summer to monstrous size.
Topping six feet in height, with a spread several feet wider, and three-foot-long leaves, the thought of moving it intact is impossible, while cutting it back feels tragic.
And then.
I came across a photo the other day on a Facebook page devoted to elephant ears that had me and a few hundred other followers in a dead swoon.
A dining table laid out grandly with gold-bordered china on purple linen, with a centerpiece of deep violet orchids, fuzzy purple liatris and a sprinkling of purple hydrangeas arranged by single stems in glass beakers. And in the middle, tickling the dangling crystals of the chandelier overhead, an explosion of elephant ears in a towering glass vase.
The work of Scott Robertson, a floral designer based in Cleveland, Ohio, the tabletop extravaganza was created for Inspirations in Bloom, part of a week-long annual juried art fair and house tour benefiting Akron, Ohio’s historic Stan Hywet Hall and its 70 acres of gardens. Robertson was one of a handful of designers selected to create displays for the 65-room mansion, the former home of F.A. Seiberling, co-founder of Goodyear Tire.
“I wanted to design a fun, modern, monochromatic tablescape,” he told me. “I wanted some drama, so I looked around my garden and thought the alocasia would be amazing on the table to go with my modern look. They’re such a great way to add decor to your home before the frost gets them. If you cut the stems you can get quite a run with them indoors in vases.”
Really? My previous experiments with cutting elephant ears were literal flops. Within an hour or so of being snipped, the giant ears curled up and limply drooped in flaccid dismay on the tabletop. Decidedly unappetizing.
It seems I was cutting the leaves of colocasias, not alocasia. Both, it turns out, are tropical, have enormous leaves and are grown from bulbs. Stay with me for a few lines here . . .
Says Wikipedia: “Alocasia’s large cordate or sagittateleaves grow to a length of 20 to 90 cm on long petioles. Their araceous flowers grow at the end of a short stalk, but are not conspicuous; often hidden behind the leaf petioles. . . . Colocasia are herbaceousperennial plants with a large corm on or just below the ground surface.”
Which is clear as mud, as far as I’m concerned. A Google search sent me wading further into the muck; both varieties are called elephant ears.
Here are two easy ways to tell the difference, if you’ve tossed the bulb tags, as I always regret doing.
Alocasia is poisonous if not thoroughly boiled. The tongue and pharynx swell, breathing becomes difficult, there’s sharp throat pain, and Hercule Poirot is called in.
Alternatively, you can cut a stem and stick it in water and if it deflates, it’s colocasia. The alocasia will remain perky for who knows how long—which is how I found out the mother of all elephant ears that I mentioned early on is an alocasia. Three days after cutting, the stem I sacrificed is still looking fresh.
Scott, who regularly produces floral fantasies at his boutique shop, Stems Fleur, intended this display for show. While it would be gorgeous on a buffet, it would only work on the dining table if you dislike your guests. Possible, I suppose. Republicans on one side of the elephants, Dems on the other.
Generally, however, you want a low centerpiece on the dining table—unless you have a very narrow, tall, clear vase, and cut three or so stems so they are well above head height, spreading like an umbrella over diners.
That would give a clear view and make even grilled cheese sandwiches grand.
BLUE WILLOW and Blue Canton are china patterns that have been around for a long time, at least since the West figured out there was a China.* It’s classic, staid, even old-fashioned. So when Pittsburgh artist Don Moyer inherited some Blue Willow china and launched his delightfully subversive Calamityware in 2011, it could have been seen as a poke in the eye of tradition. But Moyer’s take on the familiar blue-and-white dishes is so respectful, while being playful, that even traditionalists may want to mix a few of his versions in with their old, familiar stuff.
I focused a lot on dessert-size plates. They’re a chance to play with your food (or at least your table), and as LittleBird Kathy Legg put it, Dessert plates are the powder room of the dinner table—a little something to have fun with.
Calamities, clockwise from top left: a plague of frogs, a rampaging Sasquatch, brain-eating zombie poodles and a pterodactyl.
So what are the calamities recorded in Calamityware? Well, surely it would be a calamity if the peaceful little Cantonese village depicted were to be attacked by brain-eating zombie poodles, right? Or if there were to be a plague of frogs, or if the kitty in the temple garden were targeted by a pterodactyl or a Sasquatch jogging through. Peaceful settings on other Calamityware porcelain dishes are imperiled by flying saucers, giant robots, sea monsters, even a volcano . . . or a pirate ship! For most of the designs, you have to look carefully to discern the danger, hence their charm.
There are three series of four 10½-inch porcelain dinner dishes, each set $150 at Calamityware.
A charming set of 7-inch porcelain dessert plates features four of the most unlikely monkey orchestra members (but who ever thought the classic Vienna bronze monkey band made sense anyway?). The set of four Dubious Musicians is $48 at Calamityware.
Moyer isn’t the only designer who has been fooling around with blue-and-white patterns.
Royal Copenhagen has been making its classic Blue Fluted porcelain since 1775, some patterns restyled in the 1880s. Crisp and ladylike, Blue Fluted has fans all over the world. But in 2000, a young design student named Karen Kjældgård Larsen “exploded” the classic pattern to create Blue Fluted Mega, where the elements of the pattern are so large that only portions appear on each piece. Royal Copenhagen calls it “an elegant disruption” of the historical original. A more recent Blue Palmette strikes another contemporary note.
LEFT: Royal Copenhagen’s porcelain Blue Fluted Mega, from 2000, is $110 for the 8¾-inch Salad Plate #2, at Bloomingdale’s. CENTER: The classic porcelain Blue Fluted Full Lace from Royal Copenhagen is $275 for a 7.5-inch plate at Royal Copenhagen. RIGHT: Blue Palmette, almost 8 inches across, is porcelain and $80 at Royal Copenhagen, which sees Blue Palmette as ideal for an Asian-inspired table setting.
A more casual and rustic take on the antique Blue Willow comes from Pottery Barn. Its Sophia Boat and Village salad plates are stoneware and on sale for $2.99 each at Pottery Barn. The patterns are also available in dinner-plate size, mugs and serving platters.
Back in traditional mode, the Spode Blue Home Zoological Plates nail the blue-and-white classic look in stoneware, with a witty difference: In the center of each lurks a Camel or Kangaroo (shown above), or a Rhino, Tiger, Ostrich or Zebra. The plates are not that easy to find, but you can try to collect them on eBay or at Replacements, from about $16 to $20 per plate. I just like the idea of a camel under the mashed potatoes.
Keeping the blue-and-white spirit going are two contemporary offerings, though, now that I think about it, the Juliska piece is more likely inspired by Italian or Portuguese pottery than by the ancient Blue Willow.
LEFT: Juliska’s Iberian Journey Indigo stoneware salad/dessert plate is $28 at Bloomingdale’s. RIGHT: The exuberant Bloom bone-china salad plate from Williams-Sonoma is $25. The coordinating dinner plate has a different version of the flower motif.
LEFT: The Marchesa by Lenox Couture Sapphire Plume 8-inch bone-china salad plate, accented with platinum, is $38.99 at Bed Bath and Beyond. RIGHT: From Noritake, the Blue Sorrentino 8-inch cake plate in bone china with a gold band is $25 at Noritake.
—Nancy McKeon
* Wikipedia tells us that the Chinese began making the iconic porcelain plates after Muslim traders introduced them to cobalt. It took Europeans a couple of centuries to figure out how to produce porcelain; many Blue Willow and Blue Canton pieces are English and made of earthenware or stoneware.
MyLittleBird often includes links to products we write about. Our editorial choices are made independently; nonetheless, a purchase made through such a link can sometimes result in MyLittleBird receiving a commission on the sale, whether through a retailer, an online store or Amazon.com.
LEFT: Sad, off-balance Timmy. RIGHT: Happy, happy, well-decorated Timmy. / Photos by Stephanie Cavanaugh.
IT’S NOT YET time to plant the spring bulbs—the tropical plants must come in first and they’re still happily humming along. Purple violas and baby cabbages are sitting on the porch, ready for the winter window-box makeover, but the window boxes are too pleased with themselves to touch yet as well; the sweet potato vines have gone mad, spilling onto the ground. Such glorious ruffles. Fall will just have to wait a few more weeks.
Allow me to digress for a moment (although it seems I haven’t yet mentioned any particular subject). The other night, over Cotoletta Milanese at Trattoria Alberto, The Prince suggested “we” do more with gardening; proposing togetherness work wherein I would design gardens and he would—under my direction, he says—execute the execution.
Anyone who has been around me and my beloved for more than 15 minutes over the last three-plus decades will instantly realize the ludicrousness of this suggestion. Chalk it up to an exceptionally fine merlot.
Moving right along.
On yet another dismal, drizzly morning a few days back, I was moved to resurrect Timmy, an exceptionally sad-looking house plant I’ve been nursing for several decades. Timmy is named for his original owner, an exceptionally talented and charming guy who died of AIDs who was part of a children’s theater troupe I once traipsed around with, performing Chicken Little in Washington DC public schools. I had a starring role as Henny Penny, and Tim was Foxy Loxy, if recollection serves. When Tim passed away, Susan (our director) took his plant, and passed it to me when she moved to L.A. It was green and lovely then, and has been, on occasion, since.
Then came my Grand Urn period, and I transplanted Timmy (the plant) from where he was happily ensconced in his original cracked turquoise plastic pot (which cunningly replicated porcelain) to this fabulous, if also broken, lead planter that my friend Maggie was about to discard when she moved to a condo. I don’t know if it was the urn or if Timmy preferred plastic, but he hasn’t looked at all well since.
So this morning, as such things go, I was leafing through a favorite book, Bringing Nature Home: Floral Arrangements Inspired by Nature by Ngoc Minh Ngo, Deborah Needleman and Nicolette Owen, and felt a tingle of inspiration—I’ll go find some natural stuff and arrange something floral myself.
Timmy was directly in my line of sight.
Here’s what I gathered between home and Harris Teeter, where I bought yeast and spinach for various eating purposes: a few leafy branches from a pruned tree, some curious-looking brown pods, a couple of twigs from a money plant that had been knocked down (no doubt) by either the postal person or someone’s dog, a few crape myrtle blossoms that I snapped up because they would otherwise be strangled by a marauding morning glory (a public service), a few interesting weeds from the alley and a dangle of ivy pulled off our own fence.
Much of this stuff I figured could be jabbed directly into the soil and it would stay for some weeks, while Timmy would continue to do what he does as long as I remember to water. The stubby branches of crape myrtle were stuffed into those plastic water holders with the rubber caps, which allowed some leeway for artful placement.
Deciding I had rather a large gap at the back on the left, I stuck a branch of the fluffy alley weed in there, and added a smaller bunch at the right rear for a little balance. The crape myrtle were stuck in left and right.
Those brownish pods were already dried and had firm stems, so they provided a happy explosion on the left and a smaller pop on the right. This left-right thing has to do with the fact that Timmy has been, understandably, reaching for the window and therefore is a little undernourished on one side. What we are doing is compensating for this drift, which could also have been corrected by turning the plant around. But as I always say, never do anything simple when, given a little procrastination, drastic ministrations become necessary.
Having depleted my supply of scavenged stuff, and never one to leave well enough alone, I rummaged in the bar-cabinet drawers and found some bunches of little rubber grapes (doesn’t everyone have these?) and dangled them from the urn’s handles.
For a smidge more color, I tossed in some purple wandering jew pinched from a pot on the back porch and jammed the stems right into the dirt where they will root and grow quite fabulously, perhaps. Note to self: I really should have done all of this long ago, it’s all very exciting.
Plugging the last few holes . . . a couple of hydrangea blossoms and pink geraniums from a vase on the dining table.
Over the next week or two some of these bits and pieces will dry in place, which is fine. Others will shrivel and begin to look unpleasant, and if I’m again feeling energetic I’ll replace them. Timmy, in the meantime, will continue doing what he does, struggle for life on the dining-room bar, albeit more grandly than he was earlier today.
—Stephanie Cavanaugh
LittleBird “Stephanie Gardens” reports on the green stuff, and sometimes The Prince, every Thursday.
MyLittleBird often includes links to products we write about. Our editorial choices are made independently; nonetheless, a purchase made through such a link can sometimes result in MyLittleBird receiving a commission on the sale, whether through a retailer, an online store or Amazon.com.
CALL ME CONSERVATIVE, call me unimaginative. To me a bath mat has always been a rectangular or possibly oval bit of fluff, preferably in a neutral color.
But I’m so out of step when I step out of the shower! There are tons of more interesting bath mats out there. Some are a bit jokey for my taste (looking at you, Jonathan Adler), but some hit style notes I didn’t know bath mats were capable of.
—Nancy McKeon
LEFT: From Abyss, the Portuguese textile company, the cotton-acrylic-Lurex Carare bath rug measures 29 by 49 inches and is $322 at Fine Linens.
RIGHT: The Pasak Bath Rug, by Jon Robshaw, is neutral without being boring. In linen and white, it’s just gorgeous, and $85 at Horchow.
LEFT: This tongue-in-cheek zebra-skin rug is just cotton, of course, no zebras involved. It measures 31 by 44 inches and is $110 at Bloomingdale’s. Also available from Bloomie’s in turquoise. Black-and-white and gray-and-white versions are $88 at Perigold. RIGHT: From Abyss, the Pink Rug is (obviously) pink with a leaf-green tropical pattern. Portuguese-made, it’s 23 by 39 inches and is $315 at Bloomingdale’s.
When there’s no limit to your appetite for color! (And why not cheer up the bathroom, right?) LEFT: From MacKenzie- Childs, the handmade Happy Fish Bath Mat is $70 at MacKenzie-Childs. RIGHT: From Missoni Home, the Portuguese-made all-cotton Valerian Bath Rug is 28 by 63 inches long. It’s $361 at Perigold.
LEFT: This sweet turquoise-and-white Floral Rug is $36.96, online only at Pier 1. Also available in pink-and-white. RIGHT: From Abyss, the Portuguese-based textile company, the dreamy Dots Bath Rug, a substantial 27 by 47 inches, is on sale for $349.99 and exclusive to Bloomingdale’s.
LEFT: Okay, not strictly a bath mat, but it’s a mat that will allow you to express your canine sensibilities even in the bath. The larger size (18 by 30 inches) is $39 at The Company Store. RIGHT: Bold as only MacKenzie-Childs can be bold, the Canterbury bath mat is $30 at MacKenzie-Childs.
MyLittleBird often includes links to products we write about. Our editorial choices are made independently; nonetheless, a purchase made through such a link can sometimes result in MyLittleBird receiving a commission on the sale, whether through a retailer, an online store or Amazon.com.
Fall abundance in Alexandria, Virginia. / Photo by Stephanie Cavanaugh.
IT WAS A WET Saturday, so what else is new. But then, some places are enhanced by damp in a sweetly gloomy way, like Paris or, in a pinch, Alexandria’s Old Town.
Traffic noises are muted as you face the brick and stone and wooden houses head on, drizzle fogging your eyes and blurring your mind, silvery rain droplets glistening on fine displays of greens and flowers in pots and window boxes.
Flanking the entry to Spurgeon-Lewis Antiques on North Columbus Street, a few steps from the bustle of King Street, sidewalk planters froth with greenery. Floating above them, a pair of window boxes, deep and elegantly trimmed, explode with plants. Blousy leaves of pale pink caladium, marbled with green and white striations, deep purple coleus, a straggly fringe of pink and purple fuchsia, and gentle beads of creeping Jenny trailing down the box fronts.
This is not a display to be ignored, I’m thinking.
“They look like hell,” snipped Paul Bavis, an associate with the shop who specializes in designing and building chandeliers for such places as the Maryland Governor’s mansion and Decatur House in Washington, DC. In his spare time, the shop’s plantings are his province.
Hauled upstairs from the cellar, a little disheveled from wrestling with crystals or whatever it was he was doing, he dismissed the window boxes as disorganized, “Next week, I’ll rip it all out.”
Well, gee. Sorry I liked them.
Glancing out the window he spies a woman, snapping a photo. “Look at her, taking pictures,” he said, cringing. Dare I say I did so too?
I’m telling you these boxes are inspirational.
A masterful gardener, Bavis tended his own greenhouse as a teenager, living in Atlanta. There he dabbled and grew strange and wonderful plants from sprigs and seeds. In Old Town, he selects plants that will be appropriate for this Victorian building. Like caladium and coleus, which withstand heat, and fuchsia, which usually performs well for him but did not take well to this past summer’s immoderate climate.
For maximum growth, you do need great big boxes, securely anchored. The shop’s wooden boxes fell apart earlier this year, “rotting from the outside in. It was alarming,” he said. Ringers for wood, these were custom made by his carpenter in vinyl. They can be painted and are nearly indestructible.
You also need a great deal of water, more than you might think could possibly be necessary. “Even if it’s raining, I water the pots and boxes every morning,” he said.
The fall renovation will involve heather, if he can find it, boxwood, mums and “violas, not pansies,” he said.
“Violas are lovely, so delicate,” I agreed. If I could have inserted a further opinion, I would have said they remind me of ladybugs in a swirl, subtler than pansies, their flashy big cousins.
The boxes will change again for the holidays, becoming more festive, and yet again around March, refreshed with spring bulbs and blooms.
There’s no reason for window boxes to go fallow for the winter.
Other than England, Bavis looks for inspiration to the 75-acre Ladew Topiary Gardens in Monkton, Maryland, the glorious 1,077-acre Longwood Gardens and conservatory in Wilmington, Delaware, and, closer to home, the gorgeously manicured Enid Haupt Gardens that front the Smithsonian Castle on Washington’s Mall.
We agree that it’s impossible to come away from any of these without fingers itching to dig, to grow, to combine curious plants, colors and textures.
Window boxes, particularly, lend themselves to experimentation, playfulness. Unlike replacing a garden bed—or a chandelier, for that matter—if the box doesn’t please you, it’s short work and minimal expense to effect a complete transformation.
Next week these will be an ode to fall, and no doubt a fabulous one.
—Stephanie Cavanaugh
LittleBird “Stephanie Gardens” reports every Thursday on greenery.
Leaf-Shaped Box. The body is carved from bloodstone, trimmed in gold leaves and vines and tiny diamond berries. Fabergé, Moscow, 1899-1908. Hillwood Estate, Museum & Gardens. / Photo by Alex Braun.
Egg-shaped Basket. Made of pink quartz, the basket handle is two gold serpents whose open mouths hold two pearls (one is in back, unseen). The emerald thumb piece is encircled with diamonds. Fabergé, St. Petersburg, 1886-1898. Hillwood Estate, Museum & Gardens. / Photo by Alex Braun.
The Twelve Monograms Egg. One of Hillwood’s two Imperial Easter Eggs, it is covered with cobalt blue enamel, divided into sections by bands of rose-cut diamonds. Fabergé, St. Petersburg, 1896. Hillwood Estate, Museum & Gardens. / Photo by Alex Braun.
Notebook (carnet de bal, or dance card) with Miniature of Empress Alexandra. The empress’s likeness is painted on enamel and surrounded by guilloché enamel, all set in gold. Fabergé, St. Petersburg, ca. 1894. Hillwood Estate, Museum & Gardens.
Icon of the Elevation of the True Cross. The back of the icon is pale birchwood, the front painted enamel and the setting silver gilt. Fabergé, St. Petersburg, 1886-1898. Hillwood Estate, Museum & Gardens. / Photo by Alex Braun.
Bell Push. An elephant carved from bloodstone stands atop a bloodstone base, its sides embellished with guilloché enamel and gold. The elephant’s eyes are diamonds, and the howdah (seat) on the elephant’s back is gold. And all this to summon the imperial servants at a push of the cabochon ruby atop the howdah. Fabergé, 1899-1903, St. Petersburg. Hillwood Estate, Museum & Gardens. / Photo by Alex Braun.
Silver Cigarette Box. Most of Fabergé’s silver pieces were executed in the firm’s Moscow workshop. Fabergé, Moscow, 1914-1917. Hillwood Estate, Museum & Gardens. / Photo by Alex Braun.
Cane Handle. The grip of the handle is carved from a single piece of jade; the collar is enamel on gold, trimmed in diamonds. Fabergé, St. Petersburg, 1901-1902. Hillwood Estate, Museum & Gardens. / Photo by Alex Braun.
Brooch With Miniatures of Nicholas II and Alexandra. The enamel miniatures are encircled with rose-cut diamonds and joined by a “lover’s knot” of diamonds. The stone below the knot is a sapphire. Fabergé, St. Petersburg, 1899-1903. Hillwood Estate, Museum & Gardens. / Photo by Alex Braun.
Notebook (Carnet) With Pencil, Fabergé, St. Petersburg, 1741-1761. Hillwood Estate, Museum & Gardens. / Photo by Alex Braun.
The Catherine the Great Imperial Easter Egg. It is made in the Louis XVI style with four-color gold, plus hand-painted enamel plaques, pearls and diamonds. Fabergé, St. Petersburg, 1914. Hillwood Estate, Museum & Gardens. / Photo by Alex Braun.
WHEN YOU FINISH ogling the gold Easter eggs and the enamel-and-gold picture frames featured in Hillwood Museum’s exhibit of Fabergé splendor, one item stands out: a bell push.
Actually, there’s more than one of them, and they are magical. The Imperial Easter Eggs get all the attention, fashioned from gold and encrusted with precious stones, generally containing a tiny “surprise”(a miniature portrait of the recipient’s children or some other intricate gilded trifle).
But the bell pushes! Looking like small boxes that might sit decoratively on a side table or a writing desk, they are fashioned of silver gilt plus enamel, or carved from a stone such as bloodstone. There is embellishment upon embellishment—one features a little elephant carved from bloodstone standing on a bloodstone base ringed with gold bands and festooning—but each is topped with a small button.
And it’s the function of the button, pushed to summon servants, that reveals the lavish life for which these trinkets were made. It’s a life that came to an end with the Russian Revolution and the murder of the Imperial family, the Romanovs. Which, of course, is how these treasures eventually came to be in the hands of collectors around the world.
Cereal heiress Marjorie Merriweather Post—whose Washington DC home became the Hillwood Estate, Museum & Gardens—purchased (or received) some of the art objets that crowd her mansion in the late 1920s or early 1930s. The common assumption has been that she bought the Russian pieces while married to Joseph E. Davies, US ambassador to Russia, as Stalin’s government was selling off Romanov treasures to raise money. But official Hillwood records state that the diplomatic couple don’t seem to have bought any Fabergé while in the Soviet Union. Most of Post’s pieces were collected, the museum explains, in the 1960s, long after her Soviet interval and years after her marriage to Davies.
Even those of us with lifestyles not quite so extravagant, and whose contemporary tastes run more to, say, Pottery Barn than to Fabergé, will be beguiled by the craftsmanship that made these objects possible.
Many of the objects in the exhibit were everyday items for the imperial family—a tortoiseshell crochet hook with a gold finial! a cane handle of Siberian nephrite! a gold pencil holder trimmed in diamonds and sapphires so an empress’s fingers need never touch the wood of the pencil! Others, also made by the artisans in Fabergé’s workshops, were made as presentations, gifts of state, special commemorations and awards.
The Imperial Easter eggs are of course the ultimate expression of Fabergé. Publisher Malcolm Forbes managed to collect nine of them (Hillwood has two), which were sold off to a Russian billionaire for millions in 2004 after Forbes’s death. The Kremlin has 10, according to a Forbes Magazine article. the Virginia Museum of Fine Arts boasts five.
Yet the extravagance of the quotidian objects has a gentler appeal. They’re not quite priceless but way out of reach for most of us. Nonetheless, it’s a pleasure to visit them.
—Nancy McKeon
“Fabergé Rediscovered” is on view at Hillwood Estate, Museum & Gardens through January 13, 2019. Hillwood, 4155 Linnean Avenue NW, Washington, DC 20008. 202-686-5807; hillwoodmuseum.org.
Giant alliums in full purple bloom. / Photo by Stephanie Cavanaugh.
SO I GET HOME from visiting my sisters in Florida and there’s a message from my heart surgeon’s office saying it’s time to follow up on my aneurysm and I shrieked.
“What aneurysm? I thought I had that fixed nine years ago.” That one almost killed me.
“Oh, this is the new one, don’t you remember?” said the cheery nurse.
“No, I do not,” I said.
“We’re just keeping an eye on it,” she prodded. “Remember?”
How do I, meaning me, forget this? I do have a highly selective memory, though why I select to remember what I do I don’t know.
And how could I have forgotten the world’s hottest heart surgeon? I mean this guy gave me palpitations, Ben Casey, Dr. Kildare and McDreamy all rolled into one tall, hot package.
It took me a couple of days to remember—but then I recalled him telling me he’d see me next year and my thinking, damn, do I have to wait that long?
I recall this: We planned to drive to the blood-letting place for the tests needed before the tests, then go to Costco to pick up refills of meds for My Prince. How cozy is this? Just the kind of day I imagined when we wed 36.9 years ago.
But still I recall nothing of that aneurysm, which should have spooked me into wandering around (in something floaty) considering death for 12 months, planning the funeral menu and certainly not blithely agreeing to have my hip replaced, although that doc was pretty hot too.
The Prince thinks maybe the surgeon didn’t tell me?
Best to believe that.
He ended up going to Costco without me as I had pre-hurricane prepping to do, then called me three times with three different queries: Which oil did you want again? Do you really need cashews? Then he said, Bulbs, they have bulbs.
Well now, this is a challenge. Talking him through bulbs. But it must be done as the availability of Costco bulbs is ephemeral, always a month too early and then gone forever, probably by the time I could get to the store, should I live. And they have the best deals on bulbs.
“Tulips?” he said.
“Of course,” I told him. “Pink and purple, please.”
He reads from the bags. “Van Eijk?”
“No, they’re red.” (Look at the pictures on the bags!)
“Queen of the Night?”
“That’s black, not black. Pink. Purple. Do they have mid-spring?”
“Mid-spring?” he said. I sense a rising note of hysteria. Why didn’t I go with him?
“Yes, they come early, mid and late,” I said, not getting into how in action this can depend on light and heat and so forth, just keep it simple. He’ll panic.
“The bags will be marked mid-spring,” I told him.
Timing is important in a small patch of garden like ours, where the tulips must be pulled after blooming to make way for summer. I want them done and out by early April. My main flower growing is before the Kwanzan cherry has blasted its way into the yard with a umbrella of pink blossoms so vast the sun can scarcely be called dappled.
He gets 25 deep purple bulbs called Ronaldo (kind of sexy-sounding) and 25 pale pink Synaeda Amor (let’s say that together) in a bag marked mid-spring. The timing and color are fine. I am not fussy.
Then he said, “They have alliums.”
“Hoo boy, alliums,” I murmured. I adore alliums. “How much?”
“Ummm, 36 for $12.95,” he read.
“What?”
“36 Purple Sensation alliums, $12.95.” I can see him standing there, reading glasses sliding down his skinny Irish nose, studying the bag, wanting to get it right. He’s a little afraid of me, I don’t know why. “Blooms late spring,” he began. “Height 30”, plant spacing . . . ”
TMI, I would say if I said such a thing. “Wait! Seriously?” I stop him, “36 alliumsfor $12.95? Six for $12.95 is more like it.”
You might not think this is worth all the italics but holy CRAP. Maybe they’re mismarked? Maybe he should get two bags? What would I do with 2 x 36 bulbs, whatever that is?
It would be like the birthday when my mom made a standing rib roast—two ribs—just for me and a second roast for the family. It was one of the stellar moments of my life. I like roast beef that much. Fried chicken being a close second (in case you want to send me your Popeye’s coupons).
That’s how much I love those fluffy purple balls, soaring up to nod around the tulips. Few spring flowers make me more ecstatic.
“Get one bag,” I said, breaking out the pinot gris. 2 x 36 would be enough to give one heart failure.
—Stephanie Cavanaugh
LittleBird “Stephanie Gardens” reports on Thursdays about her city garden plot, bulbs and The Prince.
Juno Beach, Florida. / Photo by Stephanie Cavanaugh.
FLORIDA IS a weird place, in case you haven’t noticed. There’s a woman running for political office who claims that as a child she was abducted by aliens. People are frequently gnawed if not eaten by alligators. Fluffy little dogs are wheeled about in strollers. Mug shots are a popular feature in the Palm Beach Post. Toxic Algae.
Doctoring, of all sorts, is an amusement. One fits visits to dermatologists, cardiologists, hypnotists and podiatrists in between hands of mah jongg and the Early Bird Special— which are now known as Happy Hour, I suppose because the Baby Boomers have arrived and they would never be caught dead at an Early Bird Special.
Speaking of which. When people die, as they do with great regularity, they leave fabulous wardrobes to thrift shops. Damn nice china too.
Bermuda shorts are acceptable funeral attire. I know this for a fact.
I’m flipping through the bathing suits at a candy-colored lingerie shop on Fort Lauderdale’s Las Olas, once an exclusive shopping boulevard, now somewhat tarnished with an assemblage of gaudy boutiques and shopkeepers luring customers in from the sidewalks with packets of fancy hand creams and such.
Holding up a sweetly pink, minute bikini, cunningly ruffled along the décolletage, I waved it at the Prince, who was hovering, one foot in and the other out the doorway.
“Would you like to try it on?” the saleswoman asked.
“I thought this would be adorable on my daughter,” I said to her, aghast, thinking of 30-something Baby and her gym-hard rump and nonexistent tummy.
“Women wear these here,” she sniffed.
Indeedy do they do. The beach offers an outstanding array of bikini bodies, many of them extraordinarily curvaceous with ruffled skin, their cups overflowing and their bottoms billowing. This is not being critical, just honest.
Submerged in the warm turquoise ocean, watching them galumphing down the beach, I consider that beside them I appear most svelte, a condition I haven’t in fact enjoyed in a decade or so. Perhaps, I ask myself . . .
Nah, keep that tankini top on, honey.
Florida does, however, have considerable charms. To approach the point of today’s gardening piece, we’re here to celebrate my older sister’s 86th birthday. (She is considerably older than I am, the product of an earlier litter.)
She and her husband moved to Juno Beach from Manhattan about 30 years ago, flipping their one-bedroom condo on Central Park West for a spacious two-bedroom-plus-den corner unit with two large terraces on the Atlantic. The front terrace juts out so far that if you’re sitting, the pool and beach disappear. All you see is water. Like an ocean-liner balcony.
A few short years after they arrived, her husband passed away. “Lou’s in heaven and I’m in paradise,” she sighed, a remark she disavows, but I swear is true. And close to paradise it is.
The buildings—there are two—are surrounded by lush gardens punctuated by palm trees. There are squat palms, fat palms and coconut palms towering beside the pool. I thought the last were banned, as the nuts (fruits?) tend to fall on heads that no longer move swiftly enough to avoid them. Perhaps the beach boy (who appears to be pushing 70) shinnies up to shake them loose at night. Maybe I’ll ask, if I can summon the energy.
I find I am spending a great deal of time inert, alternately reading* and taking photos of endlessly fascinating cloud formations.
The palms preside over free-form puddles of prehistoric-looking plantings, gnarled and pointed and feathery—unidentifiable to Northern eyes. Even the grass is strange, a vehement emerald that pokes the palms of your feet with scratchy blades; much like Astroturf. The flower colors are ridiculous. Orange blazes beside hot pink, purple, lemony yellow, all arrayed against a background that shifts through a kaleidoscope of greens.
Little lizards scurry about, some mud brown, some poison green. Maybe they change with the backgrounds—I think I know this. They all have curlicued tails that twitch about behind them. Whatever it is they’re doing, they’re very busy at it, scurrying along self-importantly. Sometimes they abruptly stop, as it they suddenly remember they forgot their sunglasses, then continue on with much haste. Perhaps they’re headed for meetings or group functions, since they travel alone.
A vine covered with pink trumpet flowers scrambles across the sand. I don’t know what this is; I don’t know what anything is. I left my phone with the plant app at home on my desk. I can see it sitting there, right beside the Chinese back scratcher (can we still call them that?). Fat lot of good that vision does me.
I visited a friend in Los Angeles many years ago. She had several small straggly-looking garden plots surrounding a patio. Since she didn’t much care, and in fact found even the concept of gardening miraculous, I spent a morning moving this and that around until the composition pleased me. I amended nothing, trimmed nothing, bought nothing; I may have used a dinner fork as a tool. In a week it was all frolicking together, positively flourishing.
This could be a perfect place for me, I’m thinking as I watch the gardeners carelessly brutalize a sword-like thing, thwacking it back from the edges of a garden patch. I really don’t like any of the effort a Northern garden requires, I just enjoy the decorating. In the tropics and semi-such you can pluck things up and jam them down and they grow.
It seems as easy as changing sheets. Or some such.
—Stephanie Cavanaugh
LittleBird “Stephanie Gardens” reports on things green from all sorts of places every Thursday.
* If you must know. Alexander McCall Smith, the 44 Scotland Street series. I dare you not to laugh.
THE CASED CRYSTAL of our grandparents’ era is a thing of wonder: often a wineglass or tumbler blown from clear glass, and then a layer of colored glass applied over it, which is then carved away in a pattern that exposes the clear crystal beneath.
Too bad it looks so formal and old-fashioned except in the fanciest settings (which, I guess, already look formal and old-fashioned).
Other than the Ritz Carlton, which deploys an army of heavy cobalt-blue water goblets across its restaurant tables, most establishments commercial and domestic have been rather understated about glassware in recent decades.
But hints of color are popping up. Some examples are full-on variants on the classic form, viz. the cased-crystal Lismore Pops Collection from Waterford. Others are whisper-quiet, subtle additions to tables formal and in-.
Here are some we found while noodling around online.
—Nancy McKeon
LEFT: There’s still plenty of outdoor entertaining to come, so why not try these DuraClear double old-fashioned glasses, one of each color, made from unbreakable polycarbonate and specially priced at 6 for $54.57. Not shown: Tall highballs are 6 for $62.97 for a limited time. Stemmed margarita glasses are also 6 for $62.97. All at Williams-Sonoma.
RIGHT: From designer Monique Lhuillier come these fresh and feminine Tate highball and old-fashioneds, made from soda-lime glass.In either size they’re 4 for $32 at Pottery Barn, from Lhuilllier’s collection of home accessories.
LEFT: From France’s Saint-Louis Crystal, the Bubbles footed coupe in dark blue is $258 apiece at Scully & Scully.
RIGHT: Moser’s Pebbles double old-fashioned glass also comes in smoky gray, topaz, light green, yelllow, rosy-brown, lavender, beryl (pale aqua) and clear. It’s $125 (it’s $110 in clear) at Scully & Scully.
William Yeoward continues to redefine luxury glassware. The Marina highball glass is $275, the Marina double old-fashioned $270. Both sizes are available in both colors. All at Bloomingdale’s.
LEFT: From Baccarat, the Vega water glass comes as a two-glass set in amber, blue, green, red and purple as well as clear, for $480 ($320 in clear), at Bloomingdale’s.
RIGHT: Vega also comes in a whisper of sapphire color, $250 apiece. At Bergdorf Goodman.
LEFT: From France come these colorful Duralex tumblers, designed in 1945, 6 for $36. At the Museum of Modern Art.
TOP RIGHT: Aino Aalto designed these stackable tumblers, now in translucent blue, in 1932. They’re 2 for $22, also at the Museum of Modern Art.
BOTTOM RIGHT: From CB2 come these Marta double old-fashioned and tall coolers, shown here in a pale lilac; also available in pale smoke gray and clear, $3.50 and $3.95 apiece. Marta old-fashioneds also come in luster finishes, in green, gold or blue, $4.95 each.
Here’s Waterford’s best-selling Lismore pattern reimagined as Lismore “Pops.” A pair of double old-fashioneds is $175. The toasting flutes are 2 for $195. The coupe-shaped stemmed cocktail glasses are $195 for the pair. The colors are aqua, cobalt, emerald, hot pink and purple (also, not shown, deep red). All at Bloomingdales. com.
MyLittleBird often includes links to products we write about. Our editorial choices are made independently; nonetheless, a purchase made through such a link can sometimes result in MyLittleBird receiving a commission on the sale, whether through a retailer, an online store or Amazon.com.
Green Acre #116: When the Outdoors Ventures Indoors
MY SWEET PRINCE leaned over and whispered in my ear, “Would you like to bait the ant traps with me?”
I had finished wrestling with the elephant ears, anchoring upright several monsters that had gone splat. Flopped on the back porch sofa, nosed into a Jack Reacher thriller, I was both riveted by the action and scoffing at the notion of Tom Cruise, movieland’s notion of the action hero, impersonating a 6-foot-5 250-pound ex-army cop single-handedly dispatching five college football players turned thugs. Bam bam bam. Cool.
“No, I would not like to bait ant traps,” I snipped.
This was the latest in his list of proposed family activities, which includes placing glue traps for our little house mice (Here’s how to free them), chasing the opossum and her joeys (which are what opossum youth are called) with ammonia, and shooing the raccoons away from his precious feeder fish with Klieg lights.
I agree, we do have an ant infestation, as we do every summer. I agree, it’s unpleasant. But this is men’s work.
The latest solution was Baby’s concept (we women are the idea people). She’s an authority on bugs, having briefly worked in PR for a pest control firm in Raleigh, North Carolina, where she and her personal Prince Pete are now living, for some reason. She is also our go-to on scuba diving, grammar and editing, wine selection, restaurant service, and now real estate. Clearly, she was an English major. Which is neither here nor there.
Returning to the subject at hand: Baby said, all you do is mix sugar and boric acid with water. The ants like sugar and will tramp through this solution with their itty-bitty feet and take home samples to their queen. And then they all die.
“What’s the proportion of this to that,” My Prince asked. “It’s all on the Internet,” she said, breezing out the door with our 65-pound grand-dog Tallula in tow. Lu is finally leaving after a 28-day vacation on the (used to be white) living room sofa while her parents, poor dears, suffered sunburn on the Jersey Shore and then in the Jamaica that has palm trees and rum. Some people have baby-trial visits to see if they’re ready, we have doggy-trial visits. No. Just no. Also neither here nor there.
While I won’t mess with the traps, I will happily sit at my desk and conduct The Investigation. Interestingly, we find that some ants have a sweet tooth, others like fats and grease—just like people! You start with a sugar, jelly or honey solution, and if that doesn’t work you go to a fat, like peanut butter or butter. The choice, I suppose, depends on your tax bracket or neighborhood.
Suggestion? To shorten up the trial-and-error testing, I’m thinking maybe you could put a slab of steak and a slice of pie on the kitchen counter, and see which one your pests prefer.
Note that a boric acid mix is attractive only to pesky house ants like “the Argentine ant, the Pharaoh ant and the odorous house ant,” not your outdoor ants, says the particularly fascinating primer I consulted on SFGate. I’ve never smelled my ants, but now I’m curious.
For the sugar solution, add 8 teaspoons of sweet to 1 cup water and 1 teaspoon boric acid, wet wads of cotton with this and stick them in containers. The fatty death trap is 1 cup grease to 1 teaspoon boric acid; this can just be slathered onto or into containers.
Since ants, as we know, are infinitely curious little buggers, said containers can be anything from bits of cardboard to little jars. You might need 20 to 30 of them set on windowsills, on counters, or wherever else you see them—but keep the traps away from kids and pets as boric acid can harm them as well.
Following instructions (as I rolled over to resume my reading), My Prince soaked cotton balls, stuck them in little boxes and lined them up along the kitchen baseboards and the windowsills—not having any pets or children currently in residence. While our kitchen is about 8 by 10 feet, he’s following maximal instructions and the traps are laid cheek by jowl around the room.
It is said that you should see a fairly swift reduction in ants, though it can take a month of changing the bait every few days to kill off the colony. At which point, given it’s nearly fall, the ants will go off and hibernate anyway, so why bother.
Have you read Louise Penny? Her Inspector Gamache will have you wanting to visit Quebec. A fine way to while away the months until ant season is upon us again.
—Stephanie Cavanaugh
LittleBird “Stephanie Gardens” encounters wildlife in the garden and, well, everywhere. She reports back with her sometimes astonishing observations every Thursday.
In case you think we were making this up. From the Wall Street Journal, August 25-26, 2018. / MyLittleBird photo.
FEELING A BIT embarrassed here. Over the weekend I read a story in the Wall Street Journal that South Korean men use “an average of 13.3 cosmetic products each month,” according to the country’s Ministry of Food and Drug Safety.
Me not so many, certainly not regularly. I totted them up:
Micellar water (cleanser), Aveeno exfoliator, serum, moisturizer, sometimes tinted moisturizer. I used the Skinmedica skincare system for about six months (and many, many dollars) with no positive results, so I’m back to basics.
LittleBird Janet sent me her list: cleanser, sometimes serum, sometimes Vitamin C something-or-other, moisturizer, eye cream, Retin A, “every blue moon” a face mask..
I didn’t ask LittleBird Kathy: too embarrassing—she has gorgeous skin and takes good care of it. But I don’t think even she cracks the South Korean 13.3-product ceiling.
I generally believe what I read in the Journal (except their editorials), and the story said that lots of Korean men learn about skincare while they’re serving in the military. Patrolling the North Korean DMZ under a brutal sun, alternating with brutal cold, takes its toll.
So, absent military patrols, and maybe not being Crazy Rich or Asian, how many nostrums and potions do you use, on average, in a month? You can just give a number down in the Comments section. Or, if you think your list is amusing (or embarrassing, much better), feel free to list your poisons. There’s no prize for participating except to see how you measure up.
THE ONLY THING that keeps most of us from teetering around in those sexy Manolos and Louboutins are the sky-high heels, right? Okay, their sky-high price tags too.
But what wouldn’t I give to have just one pair of shoes with that semi-subtle, statusy red-lacquered Louboutin sole? Well, I already know I wouldn’t give up more money than the monthly rent on my first three Manhattan apartments. And I know I don’t want to commit suicide by stiletto, not being as well balanced as I used to be.
As I poked around the online precincts of the high-priced footwear world, though, I noticed that the Jimmy Choos and Manolo Blahniks et al. of that world were not as completely committed to skyscraper heel heights as I had thought. I sometimes found the same style in high heels and also in flats, or a high heel and a little kitten heel, low enough for most grown-up girls to navigate. They’ve even embraced the sneaker trend as comfort and physical reality start to rear their heads.
Take a look at what I found in the shoemakers’ fall 2018 collections. And there’s more out there. Parisian master Roger Vivier, for example, produces his classic styles in a wide range of heel heights, from ballerina on up.
Now we just have to get over the price tags. My very first apartment was a fifth-floor walkup in a Greenwich Village tenement, toilet down the hall. The rent was $59.03, and even back in the early 1970s that was pocket change. You obviously can’t buy a high-style shoe for that kind of money today . . . but you can’t buy much of anything else either.
—Nancy McKeon
Christian Louboutin’s “Anjalina,” mixing punk and posh, is available as a pump with an 85mm heel, in several colors, for $845. There’s a 100mm heel in blue and fuchsia, also $845. The flat “Anjalina” comes in black suede and is $745.
Manolo Blahnik says that “Karenov,” made with black suede and gold leather scrolling, was inspired by the Baroque architecture of Sicily. It’s $895. Its flat companion, “Cantonof,” same materials, is $845. And the flat is substantial enough that you could make them extra comfy by wearing Stance No Show socks.
Manolo Blahnik “Mavinga” in calf with brogue detailing, high heel and mid. (Mavinga 50). Both versions are $845.
Valentino Garavani continues his wildly successful “Rockstud” collection with a high-heeled suede bootie (left, $1,245), a suede block heel version (right, $1,2450) and the style tic du jour, the “Rockstud Combat Boot” in black leather (center, $1,545).
Via Spiga’s Birgit mule in supple leather comes in five colors, $250. The similar Elisha slingback pump, with a kitten heel, also comes in five colors, $295.
From Jimmy Choo, “Romy” is available in a 60mm heel and a 100mm. It mixes leopard print with hits of blue, printed on ponyskin. Both versions are $850. “Romy” is also available in solid colors of suede with an 85mm heel, $650.
Roger Vivier invented the stiletto heel in 1954, but everyone knows him for his classic Pilgrim buckle on all sorts of heel heights. The “Belle Vivier Metal Buckle Pumps” with their “slanted geometric” heel hark back to 1965. They’re available in 17 colors, in patent, leather and suede for $725 (silk satin is $1,750). The almost-flat “Belle Vivier” is $650 and comes in five patent-leather colors. (There’s also the sporty “Ballerina VIv’ Gommette,” with an enameled buckle and a white rubber lug sole, $675.)
Manolo Blahnik’s “Pitita” hits the tippy-top with a 115mm heel. Black satin with a front strap, mesh insets and silver-embossed snakeskin swirls, $1,255. “Pititaflat” comes in dark red satin with a front strap, mesh side panel and gold-embossed snakeskin, $1,225.
MyLittleBird often includes links to products we write about. Our editorial choices are made independently; nonetheless, a purchase made through such a link can sometimes result in MyLittleBird receiving a commission on the sale, whether through a retailer, an online store or Amazon.com.
Skip’s “well decorated “ front yard. That’s “Conchita” on the right. / Photo here and below by Stephanie Cavanaugh.
FIVE BUCKS,” said the wiry guy with a scruffy beard and pirate’s bandana knotted about his head. Then he said it again, and again, expression hidden behind wrap-around shades. Then he smiled. “Just kidding.”
I was taking photos of his garden, one I’d somehow managed to avoid seeing, though it’s just around the corner from mine. It—and he—materialized while I was dragging Tallula, the grand-dog, around for her afternoonsies.
There was this bower of blatantly fake yellow and orange flowers arched above a sign inked with a pattern of flip-flops that said “Hello Summer,” hanging on the wrought-iron gate. Beyond it was a good-god-what-is-this pile of . . . stuff.
The perpetrator’s name is Skip, which I learned about 10 minutes after meeting him. He’s a native of Washington DC, 60-something and renting this house from a buddy who’s living in Texas. Then he told me much more—though I didn’t have a notebook with me so some of the details are a bit fuzzy.
Laid up a few years ago with the plague or something (see sentence about not having a notebook with me), he was inspired to renovate the patch of yard in front of the house and asked his friendly landlord, who said, “Sure, whatever you want to do.”
I’m not sure this is exactly the “whatever you want to do” he had in mind.
A towering row of sunflowers marches along behind the front fence, multicolored zinnias pick up where they end. “Miracle-Gro,” he said, unasked. “Twice a year.”
Behind those flowers, more zinnias and cosmos thread about the plot. These are interspersed with plastic tulips, multicolored pinwheels, stuffed pink bunnies in tutus suspended from a tree, plastic leis, a rainbow flag and a plastic pixie village alongside a winding trail of exceptionally unnatural-looking reddish-orange mulch. Among other things.
“I don’t like guns,” he added, nodding toward a “ban assault weapons” sign.
I’m eyeing a short mannequin with pointed breasts, the kind that used to be achieved with one of those bras with circular stitching around the circumference, at a time when conical boobs were desirable—bullet bras, they were called, a style Madonna brought back.*
The dummy is dolled up with a purple net schmata on her head, purple and silver beads around her neck and a purple sequined dress overlaid with purple netting. She’s holding maracas and also wearing sunglasses, as am I, come to think of it.
“Her name’s Conchita,” Skip told me. “I bought her online for 40 bucks.” Which is apparently a big deal in this wonderland of dollar-store purchases.
She came naked, so he clothed her and set her up with two cans of Corona, or maybe it was Dos Equis, for Cinco de Mayo.
“I’m gay,” he told me. “I decorate for all of the holidays.” The evening after he set up Conchita he went out, and when he came home she was gone.
“I called the police,” he said.
“Agggh?” I said, encouragingly.
“They came right away and took a report.”
Oh, to be a fly on a fake flower, I thought.
“I found her the next day, behind a bush, with her head pulled off,” he said, swiveling her head on its stalk of neck, “See? She’s like ‘The Exorcist.’ ”
“How do the neighbors like your yard?” I said, gracefully moving the conversation along while eyeing the adjacent plot, a soothing assortment of ferns and hostas.
“They love it! The kids especially,” he said. “I do something different for every holiday.”
There was some other major feature here before Conchita, but it dissolved, or deflated or something. Whatever.
My memory drifted to an inflatable Santa that once sat on the roof of the porch of the house next to mine. He went up one Christmas and was never taken down, just gradually wheezing air, the head dropping, then a shoulder, then just a great fat belly remained, and then he disappeared.
He might still be there, melted into a plastic puddle, if the house had not been renovated and sold for close to a million and a half last fall. Poof! Another blow to inventive taste.
Thanks be to the Skips of the neighborhood for holding that line.
*Breastward Ho! Would be a great book title, don’t you think?
—Stephanie Cavanaugh
LittleBird “Stephanie Gardens” reports in on things botanical (and/or weird) every Thursday.
I LOVE IT WHEN Caroline Forsling and Ubah Hassan arrive in my home, which they do on a pretty regular basis. They’re catalogue models, Caroline for J.Jill and Ubah for Talbots (that girl is all leg!).
The women have different personalities, as seen in these catalogues: Caroline is friendly, often serene; Ubah is rarely not grinning, sometimes laughing out loud. Maybe I spend too much time alone, but I find both of them comforting, like old friends come to call when the postman drops them off.
Looking at their latest pictures reminded me of two other friendly presences, Chico’s An Hayward and Magali Amadei. There are tons of other regulars who drop by my living room periodically, but these four are the ones who stand out. And yes, I do sometimes buy clothing from those catalogues, but I can’t swear it’s because Caroline or Ubah showed them to me.
I was watching a video clip the other day of designer Karl Lagerfeld. He was saying that models are worth what they get paid because they really sell the clothes and, paraphrasing here, that “modeling is not a job you can do for 20 years.”
Tell that to An Hayward. The pixie-blonde Belgian, now 47 and living in Florida with her husband and son, is about to hit the two-decade mark. She has been modeling for Chico’s since 1999. And Swedish-born Caroline, now in her 40s and living in New York, was a kinda hippie-looking Sports Illustrated swimsuit model back in 1998 (she then went by Louise, her middle name).
Like Caroline, the Somali-born Canadian Ubah and Magali, who is French, hit the Paris runways early on in their careers. The catwalk commands a lot of money, for sure. But it can also interrupt real life.
Maybe catalogue gigs are not the most glamorous modeling work—a lot less makeup(!) and minus the exaggerated styling that sometimes inspires (and sometimes inspires laughs). But all of the “girls” get a warm welcome in my house.
—Nancy McKeon
LEFT: When the mood to feel like a Flemish floral still-life becomes overwhelming—though it clearly doesn’t overwhelm Caroline Forsling—there’s this: from J.Jill’s Wearever line, a 3/4-Sleeve Easy Top, $69 or $79, depending on size, in this Black All-Over Bouquet pattern (in solid colors it’s $59 or $69, according to size). Rayon with a touch of spandex, at J.Jill.
CENTER: Here Caroline is wearing a style from the J.Jill Sleep Collection, the Ultrasoft Peplum Tank. A cotton-modal rayon combo, the knitted top is $24.99 or $29.99, depending on size. The top can be paired with the Ultrasoft Full-Leg Crops in Soft Coral Heather or Soft Aqua Heather, $24.99 or $34.99. All at J.Jill.
RIGHT: It would be hard to get any easier or breezier than this Asymmetric Poncho in an exploded woven gingham pattern in cotton and rayon. It’s $79 at J.Jill.
LEFT: This Diamond-Print Boat-Neck Dress worn by Caroline from the J.Jill Wearever collection can probably go anywhere, at any time. Reduced from $109 to the current $69.99, the knit pullover is a combo of rayon and spandex and promises to be virtually wrinkle-free (find your passport!). At J.Jill.
CENTER: J.Jill’s Soft Mixed-Plaid Tunic is $89 or $99, depending on size, at J.Jill. The plaids are mixed: large-scale on the front and sleeves, smaller-scale on the back, made of woven rayon. The way Caroline wears it, the tunic could be for work or play.
RIGHT: Caroline wears this Layered Linen Maxi effortlessly. But the dress only looks simple. It’s actually woven linen layers attached by a partial cotton-knit lining. The top has a slightly crinkled texture and crosses over in back to make it look wrapped. The bottom is woven linen. It’s currently available only in white for misses’ and petite sizes ($89.99, down from $129), and in both navy and white in tall ($89.99) and women’s ($109.99) sizes.
I guess modeling for the popularly priced Haband catalogue, above, is one of the gigs Caroline Forsling does when J.Jill isn’t taking up her time.
I can just hear Ubah saying, See, I may be a fancy model, but I get along with all the other girls! This shot focuses on the tops, all at Talbots.
LEFT: Ubah wears the Single-Button Ponte Knit Blazer in Bright Apple (also in black, indigo and a pale gray heather). A take on the traditional blazer, this one has a collar-lapel combo that stays forward. The lining is a foulard print, so raking back the cuffs offers contrast. It’s $149 or $169, depending on size.
SECOND FROM LEFT: Talbots’ classic V-Neck Boyfriend Cardigan comes back for fall in five new colors. It’s $79.50 or $89.50, depending on size.
SECOND FROM RIGHT: Gingham just keeps getting bigger. Here the Embroidered-Sleeve Check Top is cotton and $89.50 or $99, depending on size.
RIGHT: The Tencel Denim Shirt has a nice pale wash, and the Tencel gives it a graceful drape. It’s $79.50 or $89.50, depending on size.
LEFT: The Perfect Shirt in cotton/spandex (now $27.99 or $29.99, depending on size) is paired with the Refined Ponte Pencil Skirt, also with a bit of stretch. The skirt also comes in Bright Apple and Indigo. It’s $89.50 or $99, depending on size.
CENTER: Ubah models a Sheath Dress, part of the Talbots Textured Houndstooth Collection in cotton with “a touch a spandex.” $149 or $169, depending on size.
RIGHT: The Jacket from the same cotton-spandex Houndstooth Collection is $179 or $199, depending on size.
Friendly faces also inhabit the Chico’s catalogues, namely pixie-blonde Belgian An Hayward and glamorous brunette Magali Amadei, born in Nice, France. I’ve seen Magali in the Gump’s San Francisco catalogue in recent years, and the Travelsmith catalogue that just landed on my doorstep this week boasted An on the cover.
FAR LEFT AND FAR RIGHT: Magali and her whipped-up hair have lent an easy glamour to the Chico’s catalogue.
ON THE STOOL: The pants An wears are Chico’s Brigitte Gingham Slim Ankle Pant, which are pull-ons in rayon, cotton and spandex for stretch. They’re $99 at Chico’s. She pairs it with Chico’s Basic Denim Jacket, $99, also a stretchy combo of poly, cotton and spandex.
CENTER: A few seasons ago, Chico’s featured An and Magali in a dark-blue dinner-dress face-off, just for fun.
The Lafayette 148 catalogue, online and in the mail, is clearly more uptown and more upscale. Perhaps embodying that, the models, while lovely, are more reserved than their Talbots/J.Jill/Chico’s counterparts. They look elegant, but they don’t look as if they’re having a lot of fun.
LEFT: The Izzie Blouse, with slashed sleeves in matte silk, comes in Black, Cloud (shown) and Ink. It’s $448 and is paired with the Manhattan Slim Pant in Italian stretch wool, $328, available in Black, Nickel, Smoke and Ink.
RIGHT: The unlined, oversize Hemingway Jacket, in wool crepe, is $898 in Cloud and Black. It’s also paired with the Manhattan Slim Pant (see above). Underneath the jacket, the sleek top is Lafayette 148’s Metropolitan Shine Diagonal Rib Sweater, in Cloud and Black, $448.
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Above and on the front, a little Capitol Hill front yard that is chockablock with seasonal color. The crape myrtle trees along the right side form a living fence. / Photos by Stephanie Cavanaugh.
THERE’S A LITTLE row house in Washington DC’s Capitol Hill neighborhood that I pass almost daily in my tromp back and forth to the market or for coffee or a cookie or some such procrastination.
It appears firmly set apart from the adjacent property, even though they’re in fact divided by nothing more than a surveyor’s measure. It’s an effect worth examining, particularly if you don’t like your neighbors—or wish to protect your turf from the clomping hooves of the postal persons, trampling a path through your front yard.
The trick is in shaping the patch of garden. This one is maybe eight feet square (measuring with my size 8 feet plus a smidge) and sits well above the sidewalk, bordered by a concrete walk on the left side, leading to the front porch steps. On the right, from the porch to where the garden meets the street, is a graceful curve of crape myrtles.*
At the top, butting up against the porch railing, is a watermelon-pink crape myrtle, which has reached a fine height and healthy girth. Smooshed in front of it is a smaller tree, tending toward cerise. On the downward slope of the property line, a third tree is more purple than pink and lower to the ground. The trio forms a candy-colored froth of flowers, and an impenetrable screen between the houses.**
A fine, big old boxwood, as healthy a one as I’ve ever seen, is directly in front of the house. Trimmed to the height of the porch rail, it allows one to sit with one’s martini in privacy— yet snoop over its tightly budded crown at passersby.
Just above the sidewalk, a stone retaining wall drips with creeping phlox, purple-flowering in spring, thick and green the rest of the year.
Such trees and perennials create the garden’s frame; within it the plants change with the seasons.
Now, in mid-August, red coleus provides a high-frilled backdrop for scattered plops of yellow marigolds, sprigs of purple sage, a couple of pinkish geraniums and a clump or two of basil. So densely packed are the plants, no staking is necessary.
Along the front, a sweet-potato vine frolics over the edge of the garden wall, onto the walkway and ruffles down the steps to the sidewalk. Some might say it’s a little excessive, but I say go big or go home.
Soon enough, the garden will move into fall mode, with pansies and ornamental cabbages replacing the summer annuals. Perhaps a chrysanthemum will crowd its way in. Underneath, spring bulbs will rest, poking up as the winter begins its gradual return to summer, a gaiety of crocus, grape hyacinth and tulips springing up behind that front flounce of purple phlox.
(Don’t worry about under-planting bulbs in the garden, by the way. They wriggle around whatever’s above them, figuring their way up to the light.)
It’s such a neat little plot, so manageable, tamed yet effervescent, always brimming with color and life, even as most gardens hunker down beneath a wintry shroud.
You’ll notice that none of the plants and flowers and bulbs used here is exotic. Even if you can hardly tell garden shears from hedge clippers, you can probably identify most of them; people with the need to impress can bandy about the Latin names, like tagetes erecta instead of marigold.
As with cooking, one can double or triple and so forth the recipe, adding more bushes and trees to semi-encircle the plot, leaving the center for flowers and shrubs—and maybe a fountain. Perhaps a sculpture?
Of course, one doubles and triples the expense and the labor as the garden grows. The brain can also blow up with the expanded possibilities, which is why this concise space has such appeal. If a plant goes belly-up, replacing it is hardly an ordeal.
—Stephanie Cavanaugh
*Though slow to leaf out and flower, among the last trees to do so each year (which can be a tad depressing when you’re longing for full-blown summer), crape myrtles have a bark that is interesting, and the lengthy, constant floral display once they get going is eye-popping.
** The first crape myrtle seems squeezed too tightly against the front porch, and some year soon it may require a pretty severe pruning, if not a painful (and painfully expensive) extraction.
LittleBird “Stephanie Gardens” finds garden inspiration wherever she goes.