There’s Still Time

I READ about an artist who is 86 years old and still paints every day. Not much of a marketer, he never put much effort into selling his work, but now he wants some recognition. In a late-stage burst of perseverance he has managed to have a small museum mount a retrospective of his life’s work. This reminded me of a quote I recently came across that struck me hard: “It’s never too late to become what you might have been.”

Our culture places such a high value on youth that we start believing we’re washed up by the time we hit 40. So what happens when you’re 70 and you’re still alive and kicking, in fact kicking higher than you did at 40? If we live to be 105, which people are actually doing more and more lately, should we just sit around playing Bingo for the next 35 years? (Just to be clear, I haven’t played Bingo since day camp when I was 10, and I certainly don’t mean to cast Bingo players in a negative light. For all I know, playing Bingo is why we are here. Maybe God places a high value on Bingo and only those who play regularly will go to Heaven. I know nothing, just like you and everyone else, since none of the people who die ever write back.)

All I’m saying is that old isn’t dead. Anyway, I plan to keep painting and keep writing and who knows—maybe someday I’ll become what I might have been.

—Andrea Rouda

Andrea Rouda blogs at The Daily Droid

Gifts of Warmth for Valentine’s Day

HOW SHOCKING! Punxsutawney Phil saw his shadow, and we’ve got six more weeks of winter ahead of us. (And, if past is prologue, a couple of those very weird 60-degree days mixed in with the terrible teens.)

So maybe forget about the hearts this St. Valentine’s Day and concentrate on comforting your love’s body parts (or even your own). Feet, shoulders, hands, tummies, they can all use a bit of heat in the coming days. And most of these items won’t disappear in one or two sittings either.

—Janet Kelly and Nancy McKeon

 

MyLittleBird often includes links to products we write about. Our editorial choices are made independently; nonetheless, a purchase made through such a link can sometimes result in MyLittleBird receiving a commission on the sale, whether through a retailer, an online store or Amazon.com.

Violet Vibes

IT’S NOT YOUR imagination. You’re seeing purple. Ever since Pantone declared Ultraviolet its color of the year for 2018, it is popping up on clothing, cookware, kitchen appliances, even vacuums.

And makeup. We recently spotted a goodie bag of eyeliner, lip gloss and nail polish from Butter London, which has collaborated with Pantone on an Ultraviolet collection. Before Pantone got into the business of standardizing color so colors can match across platforms on different media, the company made cosmetics color cards. Who knew?

Dark nail polishes are already ubiquitous, so an eggplant-colored one, yes indeed. And if you have hazel eyes, an eyeliner in a purplish shade works well to highlight those pretty peepers.

We’re not so sure about the eye and lip gloss, but $36 is not a bad deal for this limited edition gift set. Besides, some younger woman you know would likely be the happy recipient of some violet vibes.

—Janet Kelly

 

MyLittleBird often includes links to products we write about. Our editorial choices are made independently; nonetheless, a purchase made through such a link can sometimes result in MyLittleBird receiving a commission on the sale, whether through a retailer, an online store or Amazon.com.

What’s in Her Closet? Candice Bergen

Candice Bergen as Murphy and Charles Kimbrough as anchorman Jim Dial in an episode from the late ’80s sitcom “Murphy Brown.”  Bergen wears a tailored jacket and even a tie, power dressing signatures of the era. / Photo courtesy of CBS.

CLASSY CANDICE BERGEN made her acting debut with “The Group” in 1966, followed by a well-critiqued role in “Carnal Knowledge” (1971). But as the first female guest host of “Saturday Night Live” and as Burt Reynolds’s ex-wife in 1979’s “Starting Over,” she showed the world she had a funny bone. Her career took off in the late 1980s when she won the title role on Murphy Brown as the cynical, competitive anchor/reporter of a TV magazine show. The CBS sitcom, which lasted for 10 seasons, earning Bergen five Emmys and two Golden Globes, is getting a reboot  for the 2018-2019 season. The 71-year-old Bergen will reprise her role as Brown, the tough female journalist in a male-dominated world of broadcast news.

It will be interesting to see her wardrobe for the 21st-century revival. In real life, whether for the red carpet, morning TV shows or fundraisers, Bergen keeps it simple, mostly with a uniform of black pants and a punchy jacket or blouse, and tailored pantsuits.

 

Candice Bergen arrives at the American Film InstituteI Life Achievement Award Gala for Diane Keaton in Los Angeles in June 2017. / Photo by Stewart Cook / REX / Shutterstock.

JANET: Very pretty jacket here in a bright face-flattering color, but I think it’s too boxy; I would have preferred something slightly longer, looser and unbuttoned on the 5-foot-7-inch Bergen. I like the choice of a fiber necklace, fringe and all; it looks like an imaginative take on a necktie but not so buttoned-up that you can’t see some skin. A kitten heel is a practical choice for making the party rounds and air-kissing fellow thespians.

NANCY: She is such a handsome woman! And anything she does is okay by me, but . . . Janet, I think the problem is that Bergen is a little boxier than she used to be. And yes, it would help if the jacket were longer and of a more supple fabric. I don’t quarrel with the kitten heel, but there are a lot of shoes out there these days that are cut straight across the instep. Who on earth ever thought this was flattering? For the record, I don’t. (One catty aside: Her little evening bag looks like something she got free with a Lancôme purchase at Bloomingdale’s.)

KATHY: Nancy! Meow! Actually, I don’t disagree and I’m glad you said it first. But, you know, it wouldn’t surprise me if the bag really were a “free” gift. It strikes me as something Candice Bergen would do and simply not give a damn. After all, she’s always been one of the most beautiful women in the world so what the heck does she have left to prove? I’ve always been wowed by her beauty but truly became a fan years ago when she had a guest spot on SNL. Adorable little dorky Gilda Radner was having an exchange about boys with the impossibly perfect Bergen and asked her if she had ever had a guy she fancied not call her. “No,” Bergen replied, “but I’ve had them not call back.” I don’t know about Gilda, but it made me feel better. As for the outfit above, I like the jacket—the pattern, the material, the cut. I don’t find it too boxy. On the other hand, the pants look too long. They don’t hang well and I want to tell her to pull them up. And that thing around her neck is just ridiculous.

JANET: Just want to chime in here about the evening bag. It did look tacky. Maybe it was one of those old Prada nylon bags, which everyone used to covet and I never understood why. As for the shoes, Nancy, I don’t like the silhouette either.

 

Bergen before her appearance on “Good Morning America” in September 2017. / Photo by MediaPunch / REX / Shutterstock.

NANCY: I’m not nuts about this look, but I’m totally down with the loafers—comfort above all! The shoes and the ankle-length pants are what I like here. And doesn’t Candice Bergen’s hair always look perfect?!

KATHY: With tongue in cheek I have to admit I’m sooooo like Candice Bergen. Like her, I’ve put on extra pounds over the years simply because I like food more than dieting. So, sue me. Also like her, pants and shirts are my go-to choice. And I very much like the shirt she’s chosen here. Shirts with collars are particularly flattering. Cute shoes!

JANET: Hosannas to Bergen for perfect coordination. She eschews just plain black and white for an arty print blouse and leopard-print loafers. To top it off, she adds a multi-layered shell necklace, which becomes the focal point of the outfit. (Did she shove that briefcase between her legs for the photo?)

 

Bergen leaving a Hillary Clinton fundraiser in New York in June 2016. The event took place at . . . wait for it . . . Harvey Weinstein’s West Village home. / Photo by Nancy Rivera / ACE Pictures / REX / Shutterstock.

JANET: What else would she wear to fundraiser for Hillary but a monochromatic pantsuit. I love those patterned shoes.

NANCY: Yeah, a couple of fashion bloggers zinged Bergen for this outfit, suggesting she was taking style notes from Hillary. Whatever. In theory, this should be a good look . . . but it’s not. Maybe it’s all the wrinkles, maybe it’s the truly unserious blue. Love the shoes. But with that funny expression on her face, Bergen looks more like Rosemary Clooney than herself! (And I take back what I said about her hair always looking perfect.)

KATHY: Maybe she was dressing to avoid attention from Weinstein. I bet it worked.

 

Candice Bergen at a New York screening of  “Home Again,” in September 2017. Bergen played Reese Witherspoon’s mother in the 2017 romantic comedy. / Photo by Patrick Lewis / Starpix / REX / Shutterstock.

JANET: So, I know this is a Dries Van Noten coat, but I’m no fan of it here on Bergen (or maybe on anyone who weighs over 100 pounds). She may be a bit overweight, but this makes her look positively porky. Too many horizontals on the print add width. The slippers are adorable, and the pattern works with the coat, but they’re too flat. She looks likes she’s nailed to the floor. This outfit screams for heels. Do I like anything about this? Yes, the white shirt and the beaded necklace.

NANCY: Well, we’re back to perfect hair, but that’s about it. I think the problem is not only the horizontal lines on the coat; I think the whole cut guarantees, let’s call it amplitude. It just kinda balloons out at hip level, not the best look for anyone. I agree about the shoes, which are fun. But there’s something to be said about these red-carpet photographers: They’re probably taller than most of the women they shoot, and they focus on the face, which seems to make everything below look stumpy. I’m sure there’s a lot of jockeying for position and they probably don’t have much latitude, but this outfit may look better in motion.

KATHY: Nancy is right. Part of the problem here is the angle and the pose. Still, it’s too much coat for her. Those slippers really are adorable, but they should have had heels.

—MyLittleBird staff

‘Phantom Thread’ and the Venom of Power

ALMA ELSON is having none of Reynolds Woodcock’s tortured genius.  In the new film Phantom Thread, which just got four Oscar nods, Alma (Vicky Krieps) plays a small-town waitress who beguiles Woodcock, a 1950s London couturier (Daniel Day-Lewis). Shortly thereafter she becomes his muse, lover and a member of his household. And, there’s the rub. She may have the ideal figure and have a gorgeous swan neck but she’s a real, live woman who butters her breakfast toast too loudly for the obsessively controlling designer who cringes at the interruptions of his sanctum.

Day-Lewis is imperious, his character loosely based on the likes of designers Cristobal Balenciaga and Karl Lagerfeld. On the other hand Alma seems the picture of sweet with her cherubic face, which calls to mind a young Meryl Streep. But midway into their relationship we realize there’s more to Alma than a pretty face (and body), who has the chutzpah to offer an opinion on Woodcock’s drearily dark floral brocade dress.

Alma: I don’t like the fabric.
Woodcock: Maybe one day you will change your taste.
Alma: Maybe I like my own taste.
Woodcock: Just enough to get you into trouble.
Alma: Perhaps I like trouble.

The film just happens to coincide with sexual harassment as the cause célèbre in today’s culture. Woodcock treats Alma with disdain, and we’re fairly sure she’s not getting equal pay. (Why doesn’t she just leave him; she can get another gig!) But that would be too easy for what director Paul Thomas Anderson has in mind for this plot.

Alma refuses to be a victim; she won’t be kicked to the curb like a previous muse whom Woodcock and his frosty sister Cyril (Lesley Manville) decide they’ll give an old dress in a ridiculous gesture of appeasement. Similarly, as he tires of Alma asserting herself, Woodcock begs Cyril to get rid of her.  To his peril, he underestimates this cunning young woman.  And, in a memorable scene involving a thimble, a control freak gets a taste of his own medicine.

Perhaps Alma’s best weapon in this power struggle is the crimson sheath she designed for herself.  It’s not up to the couture standards of Woodcock, but it’s a refreshing break from the tyranny of too much lace.

—Janet Kelly

What’s in Her Closet? Gayle King

GAYLE KING is co-anchor of  the news show “CBS This Morning.”  Just as famously, if not more, the 64-year-old is Oprah Winfrey’s best pal and an editor-at-large for Winfrey’s magazine. In sync with the Time’s Up movement, King wore a Marc Bouwer black ombré sequin gown to the Golden Globes, but her preference is for bold color. Think a fuchsia sheath and crimson-framed oversize eyeglasses.

Gayle King arrives at Elton John Aids Foundation Fall Gala in New York, November 2017. / Photo by MediaPunch / REX / Shutterstock.

JANET: Most people would be tempted to keep their shoe color in the same family as their dress. But King says no to convention with bright shoes that don’t jolt quite as much because of the matching yellow in her clutch. The expanse of skin at the neckline is flattering, but it could have been used to showcase a more substantial necklace than the delicate piece she’s wearing. She could have even lost the necklace and stuck with the earrings. But this particular pairing doesn’t work—the pieces of jewelry don’t relate to one another.

NANCY: It’s true we tend to look like a bunch of Portuguese widows when we go out all in black or its close relatives. That’s what makes this such a sly little number. It’s all dark and demure and drapey, and then: yellow! —in the clutch bag and the shoes peeking out from beneath her gown. Something to think about: You get the slimming effect of the dark color but still get to have some fun. I see what Janet is saying about the jewelry. I should have noticed but didn’t. (See? That’s what yellow shoes and bag can do!)

KATHY: See, this is why we need Janet. Had it been me getting dressed I could easily have made the same mistake as Gayle with the jewelry. But Janet is so right. The necklace and earrings, while both pretty, don’t work together. But I’m thinking that necklace must have special meaning since she’s wearing it in each of the photos we show here. I do love velvet. It’s so lush and rich and touchable and in this case sexy the way it hugs her figure and bares some skin. Kudos for the shoe and purse pairing. They lift the mood from somber to sublime.

King at the 2017 gala for the US Open in New York in August 2017. / Photo by Jon Buckle / SilverHub / REX / Shutterstock.

NANCY: I think of this as King’s watercolor dress. It’s charming, and she looks delightful in it. I don’t find the pink clutch and shoes too matchy-matchy—but man, this woman likes clutch bags a lot! Unless there’s a body man nearby, I don’t find them terribly convenient myself. But they look crisp and polished.

JANET: A watercolor print makes the traditional sleeveless sheath a whole lot more fun. Add the hot-pink clutch and the pumps in the same color range, and it all comes together. It does look as if she’s wearing the same necklace in all these photos. A good luck charm?

KATHY: Love this dress. It looks like she’s wearing summer. Not everyone (meaning moi) could handle all that color. My pale, freckled skin would suck all the life out of it, but not Gayle’s glorious skin tone.

Gayle King at the Allen & Company Sun Valley Conference, in Idaho, July 2017. She moderated a talk about the US opiate epidemic in this country. / Photo by Rob Latour / REX / Shutterstock.

KATHY: Not crazy about this look. It’s perfectly respectable, but meh to my eye. It’s the blouse I object to most. It looks like polyester from Dress Barn. However, her legs look swell in those handsome sandals.

JANET: In this candid shot, King waves happily, as if she’s off on vacation and enjoying the freedom to wear this casual summer outfit of ruffled tank, floral denim skirt and sandals. A switch from her usual, more buttoned-up look.

NANCY: Oh, c’mon, Kathy. She looks like a normal person for once, not all dolled up for TV or some charity event. The blouse isn’t something I’d choose, but I think it looks okay, feminine and flattering. And I bet that blouse ain’t from Dress Barn, either!

Gayle King attends Rihanna’s 3rd annual Diamond Ball in New York in September 2017. / Photo by JStone / Shutterstock.

JANET: King has worn several color-block dresses on morning TV. According to People Magazine, she has worn the same mustard-and-white-paneled dress for five years in a row to celebrate the show’s anniversary. For a festive occasion, this chartreuse, pink and marine blue asymmetrical-hem dress by Prabal Gurung is elegant, and I love the way these strappy sandals flatter her lower leg. I can’t say the same for her bracelet stack, which doesn’t rise to the level of the occasion. Is that a FitBit I see?

KATHY: Oh, she looks so pretty in this wonderful gown (or is it a dress?). The skirt hangs so beautifully. I admire her penchant for bright colors. Not so crazy about the clutch she chose this time. I’d have thought she’d go for chartreuse.

NANCY: Okay, minority opinion here. Yes, yes, the lady likes color, and wears it well. I don’t think most of us would try to pull off this number, though, lest it wear us instead of the other way around. But the color-blocking does a nifty thing: By virtue of the tapered color on the bodice, King’s waist looks even trimmer than ever. Even with her recently slimmed figure, who wouldn’t like that? King does the color-blocking thing a lot, with results we should all consider. (Put color blocking on the shopping list.)

—MyLittleBird staff

Lessons for Trend Watchers and Others, Too

IF YOU’VE been paying any attention to fashion trends, you know sequins (just seen at the Golden Globes on black dresses worn by Kerry Washington and Zoe Kravitz) are having a moment, as is velvet (Natalie Portman in couture Dior). Polka dots, pastels, denim, trench coats and embellished everything are poised to be “in” for winter and spring. So, say you have been eying a new sparkly skirt or been lusting after a trenchcoat or a pastel-colored dress. But if you’re looking for something beyond the ho-hum—not just another skirt or undistinguished jacket or pair of shoes—we’ve picked some items with fresh details that set them apart from the crowd. Here’s what we liked and why.

Supersize the scale of pailettes in an unexpected shade of blue, and the Burberry skirt that model Jordan Dunn wore to a 2015 store opening evokes a wow.  The same can be said for the olive-green sequined skirt (see above) from mass retailer Zara. In both cases, the glitziness of the skirt is played down by a sporty jacket.

A Celine trench coat from the spring 2018 collection (the designer Phoebe Philo’s last for the line) retains the traditional features—shoulder epaulets, storm flap and cuff tabs, but it stands out from the norm because of an extra flap that falls insouciantly over the waistline and the generous cut. It’s not the polished look of a trad trench, which is appealingly new. Paired with an oversize tote in a similar fabric as the coat and a colorful high-neck printed top, the result is anything but boring.

Ultraviolet is Pantone’s 2018 color of the year. It’s not my favorite color, but I’d make an exception for Tibi’s pre-fall 2018 (yeah, it’s fashion’s nutty schedule) bomber jacket. We’re so used to seeing this style in dark brown or black leather that this one in lilac in a soft, cozy fabric is a welcome surprise. Worn with dark skinny pants and bright green pumps, it telegraphs stylish.

Designer Ulla Johnson hit the refresh button on polka dots in this look from her pre-fall 2018 collection. A cropped, balloon-sleeve printed polka dot sweater is a delightful interpretation of a retro style. A tone-on-tone full skirt with pockets (yay) is sweet but not saccharine. And a traditional wicker bag gets an infusion of energy with netting and a long tassel.

Outside of fashion circles, Virgil Abloh’s Milan-based label Off White is not a familiar name but the designer who started his career in street wear is one to know. This leather dress from his spring 2018 line is in a grown-up nude pink with leather so luxe, soft and supple the sleeves can puff out and the waist can be cinched. Okay, those shoes are a little wacky.

The rage for embellishment is embracing shoes, which are partying for spring 2018 with bows, feathers, pearls and studs. You may not want to wear yours with black and pink striped knee socks. Instead of just a few pearls on a block heel or a prim bow at the toe, Prada goes all out, wrapping the whole shoe in a cartoon print and adding an off-center, clashing polka-dot bow.

Fashion folk are as much in love with denim as ever. The ubiquitous jean jacket has been distressed, colored, embroidered, patched and adorned with charms, but Alexander McQueen’s version takes it up a few notches by layering an elegant fitted bolero top with a pleated peplum bottom that falls gently around the hips.

—Janet Kelly

 

MyLittleBird often includes links to products we write about. Our editorial choices are made independently; nonetheless, a purchase made through such a link can sometimes result in MyLittleBird receiving a commission on the sale, whether through a retailer, an online store or Amazon.com.

What’s in Her Closet? Laura Dern

IT’S HARD to imagine an actor who has been busier in the past year: “Star Wars: The Last Jedi” on the big screen and “Big Little Lies”and “Twin Peaks” on TV—and we’re leaving out half a dozen 2017 projects. Clearly, as Laura Dern approaches age 51 next month, she has hit her stride.

Most of us aren’t as much in the public eye, so maybe we can learn something from a woman who is constantly having to dress for her public, on the red carpet and even on the street.

 

Laura Dern at the 2017 Sundance Film Festival. / Photo by George Frey / EPA / REX / Shutterstock.

NANCY: The fashion industry is more to blame for this unfortunate outfit than Dern is. Bottega Veneta showed it for Spring 2017, but at least Dern had the good sense to wear a bra underneath the semi-sheer top! (The runway model didn’t.) I guess small-busted women can get away with this visible-underwear look, but really, must they? Teens and tweens, maybe; grownup girls, not so much.

JANET: Dern looks great in this color. And that’s about the extent of my compliments. I agree with Nancy about the wisdom of wearing a black bra under a sheer knit top. But also, what’s up with this ill-fitting shiny leather skirt? It makes me think Bottega Veneta should stick to its knitting—fabulous handbags.

KATHY: Bleh. The skirt looks like plastic to me, and to my eye the reds simply don’t work together. And, like my co-LittleBirds, I just don’t get the impulse to bare the bra. However, I’ve always been charmed by Dern’s quirkiness. She makes me think of the girlfriend who’s always falling to pieces, but in a good off-the-wall way. Perhaps her innate quirkiness got the best of her with this ensemble.

 

Laura Dern at a Primetime Emmy Awards reception, September 2017./ Photo by MediaPunch / REX / Shutterstock.

NANCY: I think this Jonathan Simkhai dress is an example of a grownup girl adapting the skin-is-in trend without sacrificing her dignity. All those little slits in the knit ruffles suggest skin rather than really exposing it. (Maybe it’s even a bit too demure, but it’s certainly elegant.) Of course, Dern doesn’t have an ounce of fat on her, but it’s the kind of illusion many of us could seek out. (In which case, the dressing room mirror will be your best friend—and your cellphone for that all-important rear view!)

JANET: A very flattering silhouette. No obvious bumps or lumps. Good shapewear probably helps, but then again, so does a well-toned body. I like the ruffles; they’re fanciful and feminine. But those little cutouts are overkill in my book. And those shoes, Laura, they are just wrong with this dress.

NANCY: Yikes, now that you point out the shoes, Janet, I gotta agree. In fact, I doubt those shoes look good with much of anything. They look like elves’ slippers.

KATHY: The cell phone thing never occurred to me!!!!! Genius. I think this dress is rather sweet and matches Dern’s expression. But like Janet, not wild about the cutouts. Although these are the least offensive cutouts I’ve seen, and I give Dern props for that choice. Although it does look a bit like the dress is melting. I blame Donna Karan for this cutout mania. And I’ll never forgive her. The cold-shoulder gown Karan did for Hillary Clinton in 1993 is the first time I remember the cutout cutting in. It’s such a gimmick, in my opinion,  and I’ve yet to see an attractive example. Harumph!

 

Laura Dern, dressed for her appearance on “Good Morning America” in December 2017. / Photo by Broadimage / REX/ Shutterstock.

NANCY: Elegant without a loss of comfort, now there’s a worthy goal. I think it’s the pale monochrome tone here that elevates this trouser suit to the level of “dressy.” My only quibble is my usual anti-pussy-cat-bow stance. Those “self” ties probably look fine when you first tie them looking in the mirror; after that, it’s all bets off. They droop, they untie, they head south when you’re heading west—you get my point. Why not a simple necklace, elegant or sporty?

JANET: Not a bold look, but one that I think a lot of us could see ourselves wearing. I’m with Nancy about the lovely pale pink color of the pantsuit. And the cut is perfect. The wisp of a bow around her neck doesn’t detract and doesn’t make her look dowdy like one of those big pussy bows can.  It’s just a flowy strip of fabric that softens the lines of the suit.

KATHY: I love this suit. Dern looks so pretty in pink. Her shoe choice is perfect. The neutral pumps and stockings finish the look perfectly.

 

Arriving at the “Downsizing” film premiere, Los Angeles, December 2017. / Photo by MediaPunch / REX / Shutterstock.

JANET: What puzzles me most about this look—floppy-sleeved black dress with a sheer panel at the bodice and sheer overlay of the skirt—is her choice of black lace-up boots with metallic tips. None of it is working for me. Major disconnect: With those beautifully coiffed curls, she looks so sweet, not at all like a poster girl for goth.

NANCY: I swear every time I glance at this picture I think Dern is on ice skates. The dress was originally shown, by Greek designer Vassilis Zoulias, with nothing but that feathery net-lace on the bodice, all the way down to the waistline. Dern made the dress more modest by wearing a bra—or maybe she had the bodice modified. Either way, it added another element to an already busy frock—velvet, lace, placket buttons, a velvet ribbon at the neck, a belt at the waist, net-lace panels in the skirt, and then those Morticia-like draped sleeves. It’s just too much of a muchness for this LittleBird.

KATHY: Oh, dear. I think she may have had another quirky fit. I confess, I am sort of fixated on the boots. Surely they must zip up the side or something. I can’t imagine dealing with those laces. So much going on here, but, you know, she’s an actor accustomed to putting on different personalities. Perhaps that goes for her clothes too. She must have a really wild closet.

 

Arriving at the London premiere of “Star Wars: The Last Jedi,” December 2017. / Photo by Richard Young / REX / Shutterstock.

NANCY: This frothy confection is from Alexander McQueen, but this kind of Cinderella-at-the-ball dress drives me crazy. Maybe the wearer feels as though she’s in a fantasy, but I find the look infantilizing. (And I seem to have been the only woman on the planet who didn’t love the Jason Wu gown Michelle Obama wore at the first Obama inauguration either—all those little tufts of things stuck everywhere.) All that said, the line is lovely, and Dern looks gorgeous in it. But whatever that black is down under the gown—black boots? black shoes and hose?—I don’t think it bodes well.

JANET: You’re not the only one. I didn’t like Michelle Obama’s Jason Wu gown either. I like this McQueen worn here by Dern just about as much. And, those boots. Ugh.

KATHY: Oh, come on, you guys. I think it’s pretty. Infantilizing, really? It just strikes me as very feminine. And I don’t mind a little froth from time to time. Don’t really get the boots, though. I’d like to ask her about those.

 

Laura Dern on her way to appear, with rest of the “Star Wars: The Last Jedi” cast, on the Jimmy Kimmel Live show in Los Angeles, December 2017. / Photo by REX/Shutterstock.

NANCY: I’m not sure what I think about this outfit. Turns out Dern was on her way to a TV appearance, so she isn’t necessarily a member of the Daytime Sequins movement. But the subdued black top seems somehow too . . . subdued. Tamping down the glam effect of all that glitz is probably the right move for most of us, but maybe a jewel-tone top could have pulled this off better (to my eye, anyway). Something to ponder.

JANET: That black hue and fabric of this top don’t measure up to her splashy sequin skirt. It is sleeveless, however, and when she takes it off for the show, she reveals arms that are svelte and buff. Still, the skirt requires something more dressy. Fashion magazines and blogs all advocate pairing plain with glitzy, but not when you’re appearing on an evening show with the entire “Star Wars” cast.

KATHY: I don’t get the choice of top either. Maybe it would have worked better had she worn the black boots shown in the frothy pink gown photo. Perhaps it’s a Jedi thing.

 

—MyLittleBird staff 

Twitter, Hashtags, Pinterest. Really?

iStock photo.

MORE AND MORE, the average young person is consumed by capitalism, spending his (or her or their) precious time shopping at Amazon by day and hanging out in trendy beer parlors and tapas bars at night. I find these activities abhorrent. Yes, you heard me, abhorrent (from the Latin abhorrere, to shudder away in horror), especially those tapas bars where every interesting morsel arrives drowning in some sort of interesting oil, and thousands of interesting calories slide down your gullet but you’re still hungry when you’re finished.

To avoid becoming one of those old people who are out of touch with modern times, I try to keep up, it’s just that lately there is little of value to keep up with. Besides, it may be too late for me already. I started falling behind years ago when I eschewed a Twitter account. Who knew then it would get to be so big, with even world leaders communicating on it? But still I resist; I have no intention of limiting myself to 140 characters (or even the new 280) unless I’m getting paid to do so. It’s so dystopian! What a lock on creativity; can you imagine Virginia Woolf on Twitter?

Then too, I still cannot wrap my mind around the whole “hashtag” thing. My son has valiantly tried to explain it to me many times, but just like football, I don’t understand what the hell it does for anyone. Ditto Pinterest. You found something you like? Why not jot it down in a notebook, or tear a page out of a magazine? Why does everyone with access to the Internet need to learn about your personal taste in throw pillows or dog beds or, in fact, anything?

I guess it’s just an unavoidable part of aging. To me the good old days really were better, and that’s what all old people say. On the other hand, I have taken to blogging just like a millennial, or whatever the new ones are called now, so I suppose all is not lost. Even though I carry a Medicare card, life is good: I survived a heart attack and am now in better shape than before it! I love my wonderful son, who grows more interesting every day! And my husband, who might someday retire and actually spend time with me, I should live so long!

Still, I miss Michael Jackson, Gregory Hines, Phillip Seymour Hoffman, James Gandolfini, my dear friend Noreen Welle, my Uncle Melvin, my parents and grandparents, my shrink and every one of  my dead pets. And last night, while watching “It’s A Wonderful Life” on TV, it hit me hard that nobody has ever replaced Jimmy Stewart and likely never will. (I wonder, can#JimmyStewart bring him back?)

Andrea Rouda blogs at The Daily Droid.

Purple Reflections

THE HUE GURUS at Pantone have declared purple (or the much fancier-sounding ultra violet) the color of the year for 2018.  I have been puzzled by their picks before, but purple?  Pantone’s explanation: “Ultra Violet communicates originality, ingenuity and visionary thinking that points us toward the future.”

For me, the color calls to mind fanciful cows, the favorite color of my favorite six-year-old and the sadly departed musician Prince. But I would prefer not to see a world populated by purple couches, mauve-colored walls or deep purple Kitchen-Aids, not to mention anyone dressed in head-to-toe violet.

Be advised: A little purple goes a long way. We like it best as an accent color, not the main dish. See the photos above for suggestions on how to incorporate it into your closet.

—Janet Kelly

 

MyLittleBird often includes links to products we write about. Our editorial choices are made independently; nonetheless, a purchase made through such a link can sometimes result in MyLittleBird receiving a commission on the sale, whether through a retailer, an online store or Amazon.com.

The Benefits of Humming

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GOT THAT MEH FEELING? Try humming.

It’s simple, takes only a few minutes and seems to promote health and harmony.

Humming turns the body into a musical instrument, creating vibrations that travel through spaces, such as nasal cavities. Like a hall monitor, humming keeps things moving to clear the way.

Recent studies reported in the New York Times show that humming “helps increase airflow between the sinus and nasal cavities, which could potentially help protect against sinus infections.” Mucus build-up leads to infection. That’s when your head feels dull and achey.

The musical aspect of humming may explain why it can be a mood lifter. We connect with another time and place by humming a nostalgic tune. Musicologist Joseph Jordania believes humming may be one of humans’ earliest means of communication, letting one another know they are safe.

As with singing, humming leads to a longer exhalation, which can be soothing. A humming breath sequence used in yoga, called brahmari, or bee breath, is said to deepen breathing and reduce anxiety. Practice the breath alone, where you might feel less self-conscious, or recruit a friend.

When I’ve led brahmari breathing in yoga classes, buzzing like bees proves so fun that people often smile. This exercise can delight children and — if you’re willing to hum like a hive with them—may distract them from a bad temper.

Want to try it? Stand or sit with a neutral, relaxed posture. Take two breaths, feeling rooted in the chair or on the ground. Gently place the thumbs in the ears and fingers over brow bone, closed eyelids and upper cheeks. Lips lightly sealed, inhale through the nostrils and then exhale through the nose and make the sound of the letter “m.”  Carry the sound throughout the exhalation. To sustain the buzzing, the exhalation needs to be intentional, but not forceful. Continue as long as you like, then pause to notice the stillness and quiet. Where do you feel sensation in the body?

A more familiar sound from yoga is “Om.” It should be a three-part vocalization — a-u-m — concluding in the “m” of a hum.

One study used brain imaging to measure the Om sound’s potential to stimulate auricular branches of the vagus nerve. The vagus nerve influences both the sympathetic and parasympathetic systems, touching in with multiple organs, including heart and stomach, as it wanders down from the brain stem through the body.

“Humming’s going to affect your vagus nerve and that’s going to affect your level of anxiety,” said West Virginia-based somatic movement therapist Lauren Wadsworth. She adds that humming may affect tissue as well.

“I use sound sometimes, though I don’t do it out loud,” Wadsworth says of humming silently as she works on a massage client. “I notice it will shift the density of the tissue.”

“Hum” is onomatopoeic—the word formed around the sound associated with it — and dates back to the 14th century. Wordless, humming appears simple. But as a form of vocal activation, it requires collaboration of both hemispheres of the brain, as speech does.

Try simple humming with one hand on the chest and one on the abdomen. Notice the vibrations. Use the senses of sound, touch and feeling to focus the mind for a few breaths.

Humming engages brain and body, bringing a sense of integration that can be calming. It’s as if we are attuned. This may help explain why people with autism are known to hum. When humming becomes repetitive and stereotyped, the activity can signal dementia.

“There’s something powerful about music, sounds and voice,” Wadsworth says. Who, what, when and how people hum taps into personality and biology.

The average adult human body is 50 to 75 percent water. “We know that sounds moves through water, it’s an incredibly resonant field,” Wadsworth points out. “So we become more resonant as we become more fluid.”

This resonance, she believes, can connect us not just with ourselves and other people but with a broader sense of belonging. “Our life on this planet is about water, so as soon as we become more fluid we become more resonant with all of life on this planet.”

Connecting is largely about effective communication which, for humans, means language. Beyond being an end in itself, humming can be used as a vocal warm-up, according to the American Academy of Otolaryngology. Begin with the nasal sound “m” and glide from a high to low pitch as if sighing. After speaking, humming can provide a vocal cool down: Focus on a tickling feeling in the nose.

Think there’s something melodious to your humming? Transform it into musical notation. Forbes reported on a smartphone app that scores sounds recorded into your mobile phone, including humming.

Whether you’re humming for health or harmony, consider keeping the crooning on the hush-hush. Like using a neti pot, humming to clear sinus passageways may best be practiced behind a closed door. And humming for happiness —outside of a yoga class—may wisely stay a solitary joy. Leave public humming to the birds and the bees.

—Alexa Mergen
Writer, editor and yoga teacher Alexa Mergen lives in Ely, Nevada.

 

We Wish You a Merry Christmas!

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HOPE YOU had a good haul!

 

What’s in Her Closet? Meryl Streep

OH MY, MERYL. Is there any role you can’t play? A Nazi concentration camp survivor, an imperious fashion editor, an opera singer with a terrible voice. Most recently, the actor crushes the part of Washington Post publisher Katharine Graham, who risks her family business to publish the Pentagon Papers in 1971. Streep’s wardrobe tends to be as varied as her roles. We discuss the good and not so good choices and what’s to be learned.

Streep arrives at the premiere of “The Post,” Washington DC, December 14, 2017. / Photo by Erik Pendzich/Rex/Shutterstock.

JANET: I admire Streep for what I’m guessing is an attempt to go beyond her comfort zone in this Prada feathered coat and pants. But the feathers grab all the attention, unflatteringly. On the runway, the coat was shown with a belt, which controlled the fussiness. Showing a little more leg would make the look less bottom-heavy. I would sub the pants for dress or skirt. Love the sequin clutch (also from Prada).

KATHY: I’m a bit baffled really by where her comfort zone actually falls, having seen photos of Streep in so many truly odd and, in some cases, ill-fitting outfits. There’s no denying her pure, unconventional beauty, so why, I suppose, shouldn’t her wardrobe be unconventional as well? However, this ensemble makes me think Ms. Prada had a few leftover feathers and decided to tack them onto a random coat rather than let them go to waste.

NANCY: I’m afraid I was rather unkind toward this outfit when I first saw it, telling the other LittleBirds there had been a tragic accident when a wrinkled raincoat collided with an ostrich. While so many Hollywood actresses seem to concentrate on showing as much skin as possible, Streep lives in Manhattan, among all those fashionistas. I give her credit for being (in addition to incredibly talented) more daring than most in her fashion choices, though she truly is all over the lot—cropped harem pants sticking out from under a circus tent of a dress one day, short-sleeved coat with blouse sleeves sticking out on another, an oversize geometric Issey Miyake coat that wears her instead of the other way around. Makes me hold my breath worrying what she’ll wear next.

 

Meryl Streep arrives at Hollywood’s Dolby Theatre for the 87th Annual Academy Awards Ceremony on February 22, 2015. / Photo by Mike Nelson/EPA/Rex/Shutterstock.

NANCY: I’m sure Streep doesn’t want to dress like this all the time but . . . why the heck not? She is the embodiment of glamour and sophistication. And the juxtaposition of dark and light showcases the long expanse of her biggest assets, that translucent skin and glorious chest.

KATHY: I love, love, love this look! So sophisticated in its simplicity. And sexy in a slinky, understated way. It’s businesslike, yet elegant and very feminine. It’s a style that would suit almost any figure. There’s not a line nor a hair out of place.

JANET:  Streep nails old-fashioned glam in a tuxedo jacket and long skirt by Lanvin. The V-neck blouse shows off her famous glowing skin. Big earrings provide the bling. And I get that’s the reason she’s wearing her hair up, and I know it’s a formal occasion, but I would prefer her hair in a less severe do. Some loose wisps of hair, maybe.

 

Streep at “Florence Foster Jenkins” premiere, Rome Film Festival, Italy. October 20, 2016. / Photo by Marco Provvisionato/IPA/Rex/Shutterstock.

NANCY: Easy does it: That’s what I imagine Streep was thinking when she went for this MaxMara ensemble. It’s a better iteration of her blouse habit (see below), and the shimmer of the satin gives it some presence, but on the whole . . . actually, it looks like an outfit that might work for a lot of us. It combines a hint of dressiness but would let us fall back on the idea that it’s just a shirt and pants, right? As for the Marni earrings? Pass.

JANET: A billowy blouse and trim pants in teal look elegantly relaxed and comfortable, an outfit you can rely on not to have a wardrobe malfunction. The earrings are fun and quirky but clunky, and they are not nearly dressy enough for the occasion. The pink clutch is cute but why not choose a black sequin bag or a silver or gold one that would complement what she’s wearing.

KATHY: Funny earrings. I want to like this blouse, but it just isn’t happening. For one thing, there’s that odd bit of material attached at the neckline. Then there’s the neckline itself. Seems a bit too uptight. Too prim. Too meh. The color is lovely, but it strikes me as an odd choice to wear to a movie premiere in Rome. No glam factor at all.

 

Streep at the “Ricki and the Flash” film premiere, New York, August 3, 2015. / Photo by Gregory Pace/BEI/Rex/Shutterstock.

JANET: Streep hits it out of the park here in a dress with black bodice and black-and-white pleated skirt from Valentino. Although mismatched clothing is a trend, I gotta say I like it when pieces are coordinated—shoes, the clutch, even the earrings (although I’m not crazy about hoops with this dress). Harmony is underrated.

KATHY: Totally, completely, absolutely agree with Janet. I especially like the high waistline here. Seems like that could camouflage a multitude of sins. Not that Meryl has any.

NANCY: I’m the odd man out here. I think it’s too matchy-matchy (I mean, high-concept shoes too?), and I don’t think the line is flattering at all. It just seems bottom-heavy. Oh well, agree to disagree.

 

Meryl Streep attends the “Suffragette” film premiere and gala opening night of the 59th BFI London Film Festival on October 7, 2015. / Photo by Twocoms / Shutterstock.

KATHY: No excitement here. I’m all for simplicity, but this royal blue number may have gone too far. Plus it appears to be too long and I fear she may trip.

NANCY: Kathy, I always watch the awards shows, heart in mouth, waiting for someone to trip! Streep does have a gorgeous décolletage, which this gown emphasizes, but I don’t think plain shiny fabric is a friend to most women. Even Streep looks a little lumpy.

JANET: Streep likes to be covered up except for showing off her beautiful neckline. This Lanvin does the job.

 

JANET: The pattern on Streep’s blouse on this Hollywood Reporter cover makes me dizzy, but the style is one she favors with that little bit of a feminine bow of a collar, which playfully hides that pretty porcelain skin. I don’t understand why her blouse appears to be half in and half out. Anyone?

NANCY: Streep certainly likes extra little bits of business, whether it’s ostrich fluff (see the Prada above) or shirts with fabric cascading down the front (the teal MaxMara, also above) or blouses with pussy-cat bows at the neck. The problem with the bows, and those untethered necklines, is that they’re both hard to control, the bow sometimes unreeling in one direction, pulling the neckline out of position. But it’s a look Streep returns to time and again. Maybe most people stare only at that glorious face of hers, but I still think garments with fewer bits to choreograph make it easier to get through the day (or the photoshoot).

In addition, this blouse-over-pants thing doesn’t really seem casual but almost suburban. (No, I don’t know what I mean by that, exactly.) I’d love to know the intention behind it, especially in this recent videoed interview with the editor of Vogue, Anna Wintour, possibly the least casual person on the planet. True, la Streep can wear whatever la Streep wants to wear. But I don’t think I would look regal if I copied her, just dumpy and even old-fashioned in a John Molloy 1977 Dress for Success kind of way.

—MyLittleBird staff

Prepping for Cold Season

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AS COLD TEMPERATURES turn puddles into treacherous paths of ice, moisture in the nose flows more freely than ever.  And just because your nose runs both when you have a cold and when it’s cold outside doesn’t mean cold weather causes colds.

The nose conditions inhaled air to make it warm and moist when it reaches the lungs.  When the weather is cold, and usually dry, more mucus is secreted by glands in the membranes lining the respiratory system—nose, throat, lungs—and other body cavities to keep those membranes moist. In one study, almost 100 percent of skiers reported runny noses —also called “skier’s nose”—and officially, rhinorrhea.  The colder the weather, the more mucus is produced and the thicker it becomes.

Mucus—of which a healthy nose secretes about 32 ounces/day—not only moisturizes the membranes, but its sticky consistency is designed to trap outside contaminants and prevent them from entering the body.  If the body is fighting a bacterial infection, the immune system will mobilize white blood cells that make the mucus green or yellow; respiratory illnesses like colds and flu provoke less of an immune response, allowing the mucus to remain clear.

In addition to working the mucus glands, cold weather makes tiny capillaries in the nose dilate to bring in more warm blood, which heats incoming cold air almost immediately to body temperature.  Although colder air can irritate the lungs and throat, swollen capillaries can also cause nasal congestion.

And finally, because cold air cannot hold as much moisture as warm air, when warm exhaled breath meets cold air at the end of your nose, water is released to run out or remain hanging there in a large droplet.  This trifecta of physical reactions to cold weather keeps you healthy but also creates a stuffy, runny nose that resembles that of a cold.

One good solution is to add moisture to the air you’re breathing in.  Drench a washcloth in hot water and drape it over your nose and sinuses for several minutes, followed by 30 seconds with a cold cloth.   Humidifiers and bowls of water placed around the house can help moisten the air.  Also, eat hot bowls of soup and take hot showers.  And coping with thickening mucus is one more reason to drink a lot of water.

Outdoors, wrap a wool scarf around your nose and mouth: breathing into the space between your face and the scarf will warm and moisten the air so that your sinuses produce less moisture.  Because cold, dry air can cause a sore throat and cough, avoid breathing through your mouth.

When a cold causes swelling in the sinus tissues, gargling with salt water or using a saline nose spray can help, because mucus liquefies better in salty water.  The nose can be cleared using a neti pot, but the water should be distilled or boiled to avoid a rare amoeba that lives in warm water.

Try to avoid nasal sprays that narrow the blood vessels, such as Afrin or Neo-Synephrine, because they can have a rebound effect that causes congestion and damage to the nasal membranes. And be careful about blowing your nose too often, which can actually push mucus farther into the sinuses.

Sometimes a runny nose and congestion are a true allergic response to cold temperatures, in which case steroid inhalers like Flonase can help. Other prescription inhalers can help with “vasomotor rhinitis,” triggered by smoke, bright sunlight and strong odors such as perfume.

Finally, “gustatory rhinitis” is a non-allergic reaction to certain foods, such as black pepper, horseradish, chili peppers and onions, which can cause sneezing, sniffling and watery eyes, with no itching—symptoms that usually disappear soon after eating the trigger food.

—Mary Carpenter
To read more Well-Being posts, click here

 

 

What’s in Her Closet? Sarah Jessica Parker

SHE’S THE DESIGNER and entrepreneur behind her own shoe line (SJP), the star and one of the producers of HBO’s “Divorce” and mother of three. And, of course, Sarah Jessica Parker will always be remembered as Carrie Bradshaw in “Sex and the City.” The 52-year-old is also well known for her daring—can we say quirky fashion sense?—on the red carpet. But when she’s out and about New York doing errands or shepherding children back and forth from school, she dresses more comfortably and casually.

Sarah Jessica Parker at the 2017 People’s Choice Awards in Los Angeles on January 8. She received an award for her role in HBO’s “Divorce.” / Photo by Jaguar PS/Shutterstock.

NANCY: Somehow, I thought there might be a pre-“Sex and the City” Sarah Jessica Parker and a post-“Sex/City” Parker, but flipping through a timeline of her style evolution I see that SJP lent as much to the Carrie Bradshaw persona as vice versa. Man, this girl has had a lot of “Look at me!” looks. I was thinking this copper lamé number was a rather cartoonish Athena, Warrior Goddess look, but the more I look at it, the more I really like it. (That little flounce of nude chiffon, or whatever, at the hem is a pretty cool touch.)  Can 50- and 60-year-olds learn how to dress from SJP? Only if they have a lotta guts and an incredible figure.

JANET:  When it comes to her fashion choices—at least for red-carpet occasions—Parker isn’t afraid of going for bold and surprising, as in this J. Mendel shiny copper strapless dress. Those detached, lace-up sleeves, though, look as if she’s going to do battle in Westeros rather than get an award in L.A. Parker is rarely seen without super-high heels, her compensation for being “so darn short.”

KATHY: Shades of a modern-day Joan of Arc. It’s a great costume. I’m just not sure I’d call it fashion. While dramatic, those sleeves are just plain silly. But the gown and her perfect little body clearly were made for each other. I just don’t think this is something I could wear to book club.

JANET: Aw, Kathy. Why not?

 

At the 2016 PEN America Literary Gala at the American Museum of Natural History in New York, on May 16, 2016, Parker introduced J.K. Rowling, who was honored with the PEN Allen Literary Service Award for her battle against censorship. / Photo by J. Stone/Shutterstock.

NANCY: These scattered flowers look a bit lumpy to me, but that doesn’t mean the dress isn’t entirely appropriate to the occasion, which is more Manhattan-literary demure than red-carpet razzle-dazzle. Well played, SJP.

JANET: Personally I wish this infatuation with all things floral would just fade away, but Parker’s retro-inspired floral cream-colored midi dress is appropriate for a spring evening and does accentuate her small waist.  A pair of purple stilettos with jewel-encrusted black bows complements the pale and bright colors of the dress. A matching purple clutch with a long, swishy black embellishment adds the edge that Parker seems drawn to in her clothing choices.

KATHY: The shoes are fantastic! But I can’t help noticing the road map of veins running up her foot. Also was struck by the same in her gladiator photo at top. I worry that years of running through the “City” in sky-high Manolos have done serious damage—though I did admire her speed and athleticism in those scenes. The dress is simply pretty. And there’s nothing wrong with pretty.

 

In a bright blond wig, Parker on the set of the film “Best Day of My Life” in New York, July 24, 2017. / Photo by Media Punch/Rex/Shutterstock.

JANET: I know you both are going to say I’m boring, but I love this look on SJP. I know it’s a scene from an upcoming film and Sarah Jessica herself might never wear it, but the flowy white pleated skirt with the blue shirt, the cordovan ankle-wrap sandals and hemp shoulder bag is so classic. The shirt’s rolled-up sleeves and undone buttons takes the prissy out of the outfit. It’s not for everyone, but it works for petite figures. Instead of a brown belt and shoes, though, I might sub a nude color for anyone whose goal is to look taller and thinner. (Is there anyone who doesn’t want to look taller and/or thinner?)

KATHY: Au contraire. I’m totally on board with this look. It’s soft, casual and quite flattering. Also versatile and useful—shopping, lunch, a movie, cocktails. I might opt for a slightly crisper shirt however, and one my bra doesn’t show through. Since I buy my bras at Walmart, there’s really nothing worth seeing there.

NANCY: I don’t think this look is boring. Okay, a bit. But it looks fine, not exciting but fine. If she were walking down a city street in real life and not in a movie, though, I’m betting she would button up one more button. Maybe two. That’s a lotta boobage. Just sayin’.

JANET: Agree with Kathy, although I don’t mind a little bra showing through, but not this dark color a bra. And, yep, a little too much boob, Nancy.

 

Parker wears a Cynthia Rowley dress for the “At Home With Amy Sedaris” TV show premiere in New York, October 19, 2017. / Photo by Gregory Pace/Rex/Shutterstock.

KATHY: I’m with you on this one, Sarah. I really like everything about this dress. I even like the chartreuse shoes! In fact, I especially like the chartreuse shoes.

NANCY: I like the dress, don’t understand the shoes, which at least on my computer monitor show up as neon lime green. The burnout-velvet dress looks demure, I think, because of SJP’s height or lack thereof. On one site where the dress was sold (sold out, was $429), the skirt was above the knee—but of course the model was 5-foot-10! The burnout-ness of the fabric causes a certain amount of “action” in the pattern, not a bad thing for those who want to distract attention, um, upward, toward a well-made-up face.

JANET: Sarah Jessica Parker went wild in this leopard print dress. I like the frills at the hemline. But why these yellow stilettos? There are plenty of other colors in her shoe line.

Sarah Jessica Parker out and about in New York, February 27, 2017. / Photo by Broadimage/Rex/Shutterstock.

JANET: Shopping at Bloomingdale’s. How very “Sex and the City.” But also an outfit (except for the metallic booties) for strolling around Manhattan with kids in tow. SJP ups the ante on casual with that good-l00king moto jacket with horizontal strips of leather.

NANCY: Look, there’s casual and then there’s your mother’s voice in your head telling you to go back home and try again. The moto jacket is great, and I get the shirttail-hanging-below-it look. But something has to be nipped in or it all goes to hell in a hand basket. With the slim jacket, the pants could have been wide, sure, but with the sweatshirt/T-shirt (plus the locks) hanging out all loose, the better bet would’ve been to pair the tops with leggings, something slim at any rate. At any age, I think, there has to be some part of an outfit that tells the viewer where the body begins and ends.

KATHY: Hmmmm, I wonder what she bought.

—MyLittleBird staff

INCYMI: What’s All This About Bitcoin?

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The digital currency Bitcoin soared in value to $11,000 per unit and then plunged to $9,000 in the past week. Last month Terry Gross devoted the entire hour of  NPR’s “Fresh Air” to talking about the digital currency with New York Times technology reporter Nathan Popper.  The talk show host admitted that when she absolutely doesn’t have to know something, she gives herself permission not to. But she noted when both Bjork and Microsoft are accepting Bitcoin, it’s time to pay attention. So, in case you missed it, here’s the post MyLittleBird ran about it on Aug. 7. 

IS IT AN INVESTMENT or a way to pay for things online?

Bitcoin was created in 2009 by a very smart but secretive person (or persons) who goes by the name “Satoshi Nakamoto.” He invented it as a way for us to make payments and other money transfers without ever having to use banks, credit cards or money wires again.

How? Satoshi Nakamoto invented a “cryptocurrency,” the Bitcoin, a currency with no government backing. Then he cut out the middle man in most transactions (the trusted third party a/k/a the bank).

Then he combined the Internet, a special type of online network called peer-to-peer, a really powerful math program and a shared “ledger” to create a system called the blockchain. This blockchain technology is a new secure way, not only to manage financial transactions but to record and validate records and information, such as a real-estate title, your healthcare records or an insurance document anytime/anywhere. And of course it manages all digital currencies like the Bitcoin—Ethereum, Monero, Litecoin, Stratis and others.

And blockchain technology does all that without any intermediary. (See below for the details of how this works.)*

Forbes magazine recently defined blockchain as  “a digital ledger which both [parties to a transaction] can immediately access,” reducing human error and the risk of the funds being in both accounts simultaneously. “This wire transfer,” Forbes continued, “would be completed almost instantly and the transaction would be added as a new ‘block’ to the ‘chain’ of ledger entries across the network.”

Once the ledger is updated (in seconds), everyone can see the unique ID transaction and direct it where it will ultimately be matched and confirmed. All transactions are tracked and stored in a “digital wallet”; the Bitcoin can be held as an investment or sent to another recipient as a payment for a specific good or service. Bitcoin owners transmit no personal information, and no bank account numbers are required, eliminating the pitfalls of identity theft. Another benefit is that there is no need for fees attached to any transaction, unlike a bank or PayPal payment.

Let me say again, no personal information, no fees, just a generated unique code created by algorithm at the central ledger to authenticate/facilitate the payment to another Bitcoin party. The blockchain, or ledger, becomes the book-entry digital wallet used by the central computers to manage all transactions for Bitcoins.

Certainly PayPal, now in alliance with Venmo, performs a similar function, facilitating online transactions. But there’s one big difference. It does not use a virtual currency but performs a US-dollar-based transaction. And plenty of information is required.

A Bitcoin is not a “fiat“ currency, one backed by a government; it exists in an unregulated marketplace. The Bitcoin’s value floats freely according to basic economic supply-and-demand conventions. In fact, there are currently 800-plus kinds of digital coins in this digital world. Bitcoin just happens to be the most widely traded since its 2009 creation. Some $45 billion worth of Bitcoin is currently traded daily. By contrast, though, $5.3 trillion of government-backed currencies are traded each and every day worldwide. Yes, Bitcoin has a way to go before it reaches that size market valuation.

Even if you’ve ignored all the recent news about Bitcoin’s volatility, you will hear more and more as the blockchain technology expands globally on all industry fronts. Internet experts have forecast that blockchain technology will be the next revolution/disrupter in the financial technology world (FinTech). Harvard research argues that blockchain is most important as a foundational technology that can be used to create new business models and underpin business, economic  and social infrastructures for many decades.

All of us Luddites (and we are many) should know that companies such as IBM, Dell, Microsoft, Overstock.com, and also companies we use daily—Subway, Amazon, Whole Foods, Expedia and Shopify.com—have embraced the blockchain technology, and Bitcoin currency, as an alternative to the PayPal/Venmo and credit-card/bank option because it reduces their bank fees. Also, the innovation wraps their infrastructure around the new shared-data revolution of blockchain processing.

So that’s Bitcoin and blockchain as an alternative Internet payment process. But what about Bitcoin as an investment?

Well, the investment possibility is trickier. Since 2009, the Bitcoin’s value has risen considerably, to one “coin” being worth $2,783 as of July 29, 2017, and can be very volatile day to day, moving as much as 1% to 10% in a day, sometimes more, something that rarely happens with a government-backed fiat currency. So instead of “investing” directly by buying  Bitcoins, with their attendant volatility, you may want to consider two more-conservative investments vehicles in the new world of the Bitcoin exposure and blockchain technology, namely: The Global Bitcoin Investment Trust stock (ticker symbol GBT) and The Global X Fin Tech ETF (ticker symbol FINX).

I am not personally recommending either of these investments, just reminding the reader that with every newly created financial instrument or technology, there comes a new-fangled process that plays out and adoption of either may take some time. And as expected, more people, industries, businesses and governments are considering these alternatives in a very real way to democratize the bank, credit-card and PayPal payment options available currently.

So to answer the original question, the Bitcoin is both a new and improved online digital payment alternative and it is also a possible investment in the dynamic and ever-changing world of blockchain technology. I believe Satoshi Nakamoto would be very proud of his invention.

The final question, How do I buy Bitcoins? There are several companies that make a market in Bitcoins such as Coinbase or Blockchain.info; and a list of digital vendors can be found at this site. Simply pick a vendor, request an amount of Bitcoins in US dollars, enter the credit/debit card and create your very own digital wallet.

But remember, as our good friend David Kotok, chairman of Cumberland Funds, recently cautioned on cryptocurrencies, we should not think of them as money.

Bitcoin “does permit the classic function of money as a medium of exchange,” he writes in his July 26th market commentary. But, he points out, money (at least currency with low or no inflation) also “has a certain ‘store of value’ . . .  and we have price references denominated in dollars or euro or yen. Bitcoin has not yet attained the ubiquity needed to meet those tests.” Kotok sees Bitcoin as a speculative investment, one that will not be in the reserve of any major central bank any time soon.

—Abigail Cook
Cook has been managing director or vice president for foreign exchange sales at BNY Mellon, Westpac Banking Corporation and RBC Capital Markets. She is based in Pittsburgh.

* To make blockchain technology work, Satoshi’s math program essentially generates a unique identifier for each and every transaction, which then gets posted on a decentralized public ledger. The identifier details are then sealed and stored on that ledger with digital versions of keys. This is now a digital receipt known as “block.” Each block is then connected together creating a trail and chain of secured transactions that cannot be altered, and thus the term blockchain! Think of it like a game of Tetris, building those tiles (blocks) into a wall (ledger) through computing power to build, store and keep the histories of those ID records/transactions.

Trendlet: Sequins Galore

WHEN THE SUN sets at 5ish pm, it’s no surprise that it’s the season for sequins. But from the looks of spring 2018 runways from such megastar influencers as Marc Jacobs and Gucci’s Alessandro Michele, we’re going to be feeling the sparkle way past the last snowflake.

According to Victoria & Albert Museum curator Sonnet Stanfill in a recent story in The Guardian, sequins are historically noteworthy for distinguishing upper echelons of society for their ability to pay for expert craftsmanship. No matter the century, though, they’re proof of the very human to desire to dress up, says Stanfill.

And while we’re on the subject, one of my all-time favorite purchases was a pale pink light wool cardigan sprinkled with twinkling sequins. I bought it on sale in March and wore it season after season for at least a couple of years, until my sweater stone (or any tool) no longer could resolve the pilling problem. Friends took notice. One even remarked, “You look so cheerful.”  Wearing the sweater did make me happy. Given the dark days of winter ahead, perhaps some shiny clothing therapy is just what the doctor ordered.

—Janet Kelly

 

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My Turn: Reading The Washington Post in Ely, Nevada

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I’M WAKING up before dawn in Ely, Nevada, still snug in a flannel nightgown under a blanket on the couch, dog in my lap, sipping coffee shipped from Jack Mormon Coffee Company in Salt Lake City. I’m peering at the iPhone in my hand, reading the Washington Post. Steel-cut oats are boiling on the stove.

More than 2,300 miles away in DC, my mom has long ago finished a small pot of French-press coffee, shipped to her in half-pound bags from West Virginia’s Black Dog Coffee, and eaten an English muffin. The disassembled sections of the Post, read through, are stacked by the front door of her apartment, to be carried down the hall for recycling.

The daily rituals of coffee and WaPo tether my mom, Carol, and me across miles, mountains, routines and time zones.

Anne Lamott writes that the newspaper was the religion in her family. And so it was in mine. Raising my brother and me on Capitol Hill from 1970 to 1985, my dad’s daily routine was to purchase the Washington Post from a newsstand. My paternal grandmother, who lived in Thomas House when the building was ordinary apartments at the edge of 14th Street’s then-red light district, was loyal to the Washington Star. From Nevada, my maternal grandmother sent blue envelopes full of newspaper clippings from the Las Vegas Review-Journal, the Henderson Home News and the Las Vegas Sun.

The Sunday New York Times was our family Bible, generating discussion, reminding us to be informed citizens, guiding us in decisions through the week. The Post impressed upon my little-kid self that we lived in the nation’s capital and that big decisions were being made in the large white buildings visible from my brother’s bedroom on the third floor of our row house.

College took me to California and I ended up making a home there for awhile, parlaying my undergraduate experience at the Daily Californian and the Toad Lane Review—published by the now-defunct Barrington Hall student cooperative—into a news-clerk position at the Union Democrat. In Sonora, I fell in love with a reporter and also started a love affair with whistle-stops. I married the reporter and together we moved to other towns, as well as larger cities, until we stumbled on Ely during a road trip this past June. The 700-square-foot house we bought soon after is reminiscent of the cabin we first shared in Sonora more than 25 years ago, on a dirt road in town, heated by a robust wood stove and passive sunshine.

When I started buying furniture and kitchen gadgets to fill my new place, my mom signed me up for a digital subscription to the Washington Post. It’s not easy to get news in Ely. The local paper publishes weekly. The Las Vegas Review-Journal is available for purchase Monday through Saturday, but only at a few casinos. Though it’s a morning paper, copies don’t arrive until afternoon, because Vegas is a four-hour drive away. Still, they usually sell out. No other hard-copy papers are available here.

The Washington Post app opens the door to my past, as DC-raised; to my present, doing my darnedest to stay clearly informed in this muddled political climate; and to my future, when I reconnect with my mom through texts and emails. And when I’ll visit home again.

So, first thing in the morning, I check the top stories. What’s happened overnight? Then to the local DC section. Here in the high desert, I can picture rain falling on the Potomac River, and my mom watching the green leaves of Rock Creek Park’s giant trees through her window. TV reviews, book recommendations, recipes—all these provide a common language for us. Opinions in the Post’s View keep me abreast of the macro politics, a balance to the micro of my town. Horoscopes and cartoons? Essential.

Ideas run through DC corridors and avenues, the way veins of silver and copper run through the expansive mountains surrounding me. I need both: theories and facts gathered and printed and delivered in pixels, and trails through canyons so quiet you can hear air rushing over birds’ wings as they fly. One digital newspaper subscription from a conscientious long-distance mom makes it possible.

—Alexa Mergen
Writer, editor and yoga teacher Alexa Mergen lives in Ely, Nevada, but she relies on news from her hometown paper.