IN HOLLYWOOD parlance, she’s a Triple Crown winner: Two Tonys (playwright August Wilson’s King Hedley II and Fences), an Emmy (How to Get Away With Murder) and an Oscar (the 2017 Best Supporting Actress Oscar for the movie version of Fences). And let’s not forget her Oscar-nominated performances in The Help and Doubt, standing up to a powerful Meryl Streep in the latter.
Personally, I’ll always remember watching her at a fashion show several years ago where she tried mightily to strike up a conversation with Vogue magazine editor Anna Wintour, who apparently wasn’t in the mood to chat. But lets’s talk about her closet. The 51-year-old, 5-foot-5-inch actor rarely makes a misstep. She has a well-toned, muscular body and wears clothing that pays tribute to good genes or lots of hard workouts, or both.
Viola Davis arriving at an ABC Press Party on August 4, 2016 in Hollywood. / Shutterstock
JANET: I really like this dress—the color, the fabric, the flared skirt. And the pointed black shoes with the ankle straps are graceful. Two quibbles. Am I being too picky here? The bodice looks as if it’s a little tight; it’s not forgiving for those who are not rail thin or who are strongly muscled like Davis. And I would prefer a sleeve that didn’t cut off her upper arms the way this one does. What do you guys think?
NANCY: I’m cool with the sleeves, but now that you point out the bodice, I think you have a point: She looks a bit shoehorned in, bosom crushed to hold the smooth line. Aside from that, there’s a genius in the simplicity of the outfit—nothing extraneous, the only moving parts being her long locks and those delicate ankle ties.
KATHY: I think the dress is lovely, as is she. The cap sleeves and longer hemline are so feminine and demur. I’m not usually a fan of ankle straps and rarely find them the least bit attractive. However, these are the exception. The little tie straps are so delicate they seem to accentuate her slim ankles rather than make her feet look brutish as so many heavier ankle straps might. To me it looks like she’s ready to take tea with the Queen.
Viola Davis at the Variety and Women in Film Emmy Nominee Celebration, Los Angeles, September 15, 2017. / Photo by Matt Baron/Rex/Shutterstock
NANCY: There’s something winning about Davis’s demeanor here. It’s as if she’s sharing with us the joy of wearing such a happily outrageous embroidered and sequined skirt! (It’s “Ella,” $795 from Alice and Olivia.) Davis also shows herself to be a good editor: The A + O site shows the skirt with a red peekaboo lace blouse with long sleeves dripping with tons more lace, whereas Davis allows the skirt to shine with the easy “Kenia” top, also from A + O. True, the short sleeves are ruffled, but they’re delicate and anchor the skirt rather than taking it over the edge.
KATHY: Wow! She has a great smile. No more embellishment needed really. I can’t imagine this skirt with the red lace blouse Nancy describes. That sounds truly awful! Especially after seeing how Davis scores with her ruffled, black choice. She looks so sleek and shiny.
JANET: Women over 50 who feel bad about their upper arms, check out this fluttering sleeve. Ideal way to camouflage that area. Even though I really dislike florals, I like this mid-length, shimmery sequined skirt with its slimming black waistband. I complained about the stunting effect of the ankle-wrap sandals we saw on Holly Hunter, but the silver sandals Davis is wearing here are more foot-flattering. Also, Davis is taller. Did I mention I love this bob haircut?
Davis chats on the phone before going to her appearance on “Jimmy Kimmel Live'” TV show in Los Angeles, September 25, 2017. / Photo by Rex/Shutterstock
JANET: Davis looks like any of us who want to be comfortable when subjected to the trials of travel. Not a lot of Hollywood glamour here. Except for those shiny platform shoes (they’re Stella McCartney’s “platform creepers“) and embellished sunglasses.
KATHY: I like those shoes! Not on me, but I admire most anyone who goes all out for dramatic footwear. The rest of her is so understated. And then, there are those shoes! Actually, I’m good with the entire ensemble. Can you look tailored and relaxed at the same time? She seems to.
NANCY: Those shoes will never be seen on my feet and, honestly, I think they might look like a desperate bid for youthfulness on a lot of women. (If you think you can pull it off, do it—the shoes certainly look comfortable.) The coat has a great slouch to it, though I think most of us can be improved by a crisper cut at the shoulder. Underneath the cozy outerwear seems to be a monochromatic length of purple, a simply cut top and nicely tailored trousers, cropped to show her shoes—hey, maybe in that big leather bag, she has another pair to change into!
At Variety’s Power of Women luncheon, Viola Davis doesn’t shy away from color. October 13, 2017 in Los Angeles. / Photo by Matt Baron/Rex/Shutterstock
NANCY: Another monochromatic look from Davis, with never a misstep. She is just crisp and well tailored. I’m not a fan of silver or gold shoes, but I suspect I’m in the minority (and I don’t know what color one would wear with all this orange—black? too Halloween, maybe). I also have a limited appreciation for loose locks, so I too love the short cut and the easy way Davis wears it.
KATHY: Yay! Orange. My only complaint about this outfit is the blouse. For a change I’d like to see more skin. Maybe a camisole, cut straight across the top, that would bare more of her beautiful skin. The suit is swell, but the blouse makes it look dowdy.
JANET: Head-to-toe orange is too strong for some, but Davis is smashing, brightening up the scene at this recent lunch celebrating the power of women.
An exuberant Davis celebrates her “Fences” Oscar win at Vanity Fair party in Los Angeles on February 26, 2017. / Photo by Matt Baron/Rex/Shutterstock
JANET: After her red-carpet appearance in an Armani Privé red silk gown with halter neckline and off-the-shoulder sleeves, Davis parties in a flowing pantsuit and inches up her pant leg to show a little shoe and have some fun.
NANCY: Aren’t these the same Stella McCartney shoes we saw her wearing on the street? They really must be comfortable! Overall, I’m struck by how little Davis wears in the way of accessories. I read a quote from her saying she wanted to “celebrate [her] skin tone”; maybe a swath of color as backdrop is all she needs. This white trouser suit is pretty simple, though a bit boob-y (her “boob-age” being something else Davis said she’d like to celebrate) for most of us. And, without the high-octane Davis facial features, I think most of us would do well to accessorize, just a bit.
“Main Line plaid” and corduroy were references to the classic movie “The Philadelphia Story” in Tory Burch’s fall 2017 runway collection.
A big boxy jacket in a plaid reminiscent of 1990s grunge. From the fall 2017 runway of Clare Waight Keller’s last collection for Chloé.
From left to right: Stacy Dash as Dionne Davenport and Alicia Silverstone as Cher Horowitz in their coordinating plaid outfits from the 1995 movie “Clueless.”
A houndstooth structured, long blazer with a strong shoulder ($129.99, mango.com) is smartly proportioned over trim jeans.
This green-and-black-check blouse is sold out, but a similar shirt in blue-and-black checks is available for $188 from Rails on shopspring.com.
Creatures of Comfort Loro Piana gray-and-blue-plaid jacket is a beautiful splurge at NeedSupply.com.
Cropped check-print trousers are $59.99 from mango.com.
Marc Jacobs’s plaid wool-blend pants ($395, netaporter.com) are a throwback to the designer’s favorite, but vilified, 1992 grunge collection for Perry Ellis.
Energize your all-black wardrobe (you know who you are) with this purple-check mohair scarf ($150, paulsmith.com/us).
CALL IT plaid, check or tartan, it’s a pattern that may go in and out of fashion but never goes out of style. Think kilts and blankets worn by those fearsome Scots in the 18th century (Outlander watchers out there?), Woolrich’s buffalo-check flannel shirt favored by lumberjacks in the 1850s, Pendleton’s plaid button-down for men and then for women in the 1940s, Vivienne Westwood’s punk plaid in the 1970s, Marc Jacobs’s famous grunge collection in 1992, the cult classic movie “Clueless” in the 1990s with Cher and Dionne walking down school hallways in coordinating checked looks, and Alexander McQueen‘s two runway collections—one in 1995 and again in 2007—referencing his Scottish roots.
I can practically bookmark my life by the decades I wore plaid—my blackwatch plaid skirt in elementary or junior high school; my roommate’s boyfriend’s lumber jacket in college, which I somehow appropriated; my mom’s blue-and-red-plaid 1940s bomber jacket, which I wore in the the late 1970s, a Perry Ellis pleated skirt and coordinating but not matching sweater in the 1980s, et cetera, et cetera.
And this fall and winter 2017, while plaid blazers and coats (see Holly Hunter What’s in Her Closet?) are certainly an of-the-moment purchase, we’re noticing it on everything from dresses to pantsuits to shoes, shirts, handbags and cropped trousers. It feels cozy, warm for winter and an undeniable wardrobe evergreen.
—Janet Kelly
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THE ONLY LOGICAL explanation for Donald Trump’s psychotic behavior is that having lots of money drives people crazy. Trump aside, most rich folks can’t seem to figure out what to do with their money besides spend it on themselves. My jaundiced eye into this zany world is The Wall Street Journal, which we get home-delivered because it reports the straight news without any annoying slants.
In a recent WSJ I saw an ad for a pair of pajamas that cost almost $500 (top, $228, pants, $268). Now these are not sexy pajamas intended to seduce a rich man and ultimately marry him and then be rich yourself. These are ordinary striped PJ’s just like I have, and you might, too, that cost maybe 50 bucks, even less if you shop at Walmart. I mean you are wearing them in the dark, lying in a bed all night getting them crumpled and wrinkled, with nobody seeing you, or them, so WTF?
Then, in the paper’s modestly named MANSION section, I read about Candy Spelling, widow of TV producer Aaron Spelling, who lives in an 18,000-square-foot duplex penthouse condo in Los Angeles. She is 72, so I am guessing she has no kids living at home with her. Maybe she has a revolving door of young lovers, but how can one person live in such a big place, and why? Even weirder, in March of 2013 Candy sued the developers after she claimed they failed to add a restaurant to the building as promised. What, there’s no kitchen in her duplex penthouse?
These folks literally have money to burn, so why don’t they give some away to all the needy in the world? They could fly their private jets straight to Puerto Rico and drop down some food and water and medical supplies, and even a few hundred pairs of fancy pajamas.
ACTOR HOLLY HUNTER has a long list of credits (“Broadcast News,” “Thirteen,” TV’s “Saving Grace,” and most famously, a Golden Globe and an Oscar for her role as a mute piano player in the 1993 film “The Piano.”
Most recently, the 59-year-old Hunter is winning praise for her outspoken role as a mother who’s skeptical about her daughter’s choice of boyfriend in “The Big Sick.” For her film wardrobe, Hunter, who holds vigil for her very ill daughter, wears protective big sweaters and pants. In her offscreen life, the 5-foot-2-inch Hunter is mindful of her petite frame. Some takeaways from her choices:
Holly Hunter is the lady in red at a screening of Amazon’s “The Big Sick” in New York City, June 20, 2017. / Photo by Kristina Bumphrey/StarPix/Rex/Shutterstock.
JANET: This dress does Hunter no favors. The midi-length doesn’t flatter all figures, especially not the slight in stature. And those glittery, ‘4o’s style ankle-strap platform sandals are just wrong. The effect is to make her lower legs and ankles look stumpy. That long necklace adds to the overall droopy look. Messy hair doesn’t help hair either. NANCY: This is a very odd style dress, which we’ve seen elsewhere. The way the fabric falls against your body probably feels wonderful, and the view when you’re gazing down at yourself no doubt reinforces that, but for us looking right at ya, not so great. The overall effect might have been mitigated, though, if her hair hadn’t taken the same rambling course downward. An upswept, more severe hair style would have been better. A lesson I once took from a Bloomingdale’s saleswoman was: Not everything in an outfit can be loose and flowy; something has to be pinched in or form-fitting for the oversize stuff to make sense. KATHY: I admit I don’t really understand this dress, but I’m willing to give it a chance. Though I’d be interested in seeing it in profile and curious to see how those gathers look from a side angle. I get what Janet is saying about midi-length and slight stature and don’t disagree. However I’m guessing what appears to be an asymmetrical opening at the hem may reveal just enough leg to up the glamour factor. Usually I’m the LittleBird always squawking about long messy hair, but in this case I’d give anything to have Holly’s colorist.
Hunter attends Broadway opening night of “Sunday in the Park With George,” New York, February 23, 2017. / Photo by Steven Ferdman/Rex/Shutterstock.
JANET: The big pattern on this winter coat works for Hunter here because she keeps everything else to a bare minimum with a black top, trousers and dark-colored oxfords. Moreover, the coat is tailored. An oversize topper would dwarf her. She looks comfortable and natural here like she’s just in the neighborhood to attend a play. NANCY: I agree that she looks terrific. But I guess I keep getting hung up on hair: I just don’t find that loose locks are all that attractive after a certain age (that age may be 14, but this thought, mind you, is held dearly by someone enduring a lifetime of short, curly hair). KATHY: Nice coat. Wonderful tailoring. I like this look. A lot. Easy to wear. Easy to shrug off. Very warm and comfy-looking. And it works for her. She’s so petite, I can see where bold patterns easily might overwhelm her tiny frame, but even though this plaid really stands out, she holds her own.
At the 2017 Sundance Film Festival in Park City, Utah, for the premiere of her film ‘The Big Sick” in January 2017./ Photo by George Frey/EPA/Rex/Shutterstock.
JANET: Lace and floral are trending, yes, but this top qualifies as one of those Glamour Don’ts (remember those?). If this was your stylist’s choice, Holly, you may need to scout for a replacement. Also, those flared pants need a trim top, not this busy one. NANCY: The outfit’s a bit of a mixed message. Yes, there’s a whole lot of lace out there, but these appliqué pieces seem too big for Hunter. Then there are the pants, with those military-looking buttons running down the side. What’s that about? (Maybe nothing.) KATHY: She looks like she’s wearing her big sister’s clothes. NANCY: That’s exactly what she looks like!
Hunter at the Variety Studio, which hosted a series of filmmaker and talent interviews on the first day of the Sundance Film Festival in Park City, Utah. January 20, 2017. / Photo by Andrew H. Walker/Variety/Rex/Shutterstock.
NANCY: Again with the buttons on the trouser legs! Is that a thing? On second glance, they appear to be snaps, so maybe you’re supposed to unsnap a few and let your ankles loose? But I’m being picky: I think the outfit looks great—casual but tailored. And with everything else so simple, Hunter’s hair can show off its nice, shiny waves. JANET: Don’t know if there’s a reason for those snaps but maybe easier for slipping boots on and off? I like the color combination of magenta sweater and the checked gray pants. The sweater is slim enough to wear under a jacket and then layer under a coat. A sensible, good-looking outfit choice for January in Utah. KATHY: Now this is my kind of dressing; simple, comfortable and classy. I’m all for those snaps, buttons, whatever. They’re a nice touch that, to my eye, updates an otherwise run-of-the-mill pair of trousers. She looks totally at ease here, and so do her clothes.
Holly Hunter at the Los Angeles premiere of the documentary “Spielberg,” September 26, 2017. / Photo by Matt Baron/Rex/Shutterstock.
JANET: I’m not a fan of asymmetry in clothing, but it’s subtle in this cropped-sleeve dress with off-center zipper and slight ruffle of the skirt. The black belt cinches the look, drawing attention to the thinnest part of the body. The matching black tights and heels anchor it all. And, Nancy, I know you’ll like those tamed, expertly waved locks. KATHY: This is an interesting choice, especially for an LA premiere. It strikes me as something you would wear to the office, not to a premiere. But then, I’ve never been to a movie premiere, so what do I know? It’s a handsome dress with that little bit of flounce that keeps it from looking too schoolmarm-ish. However, I’m a bit concerned about that man looking over her shoulder. NANCY: LittleBird Kathy always cracks me up. I think this look is . . . perfect! (And yes, Janet, I do like her hair here!)
One of the looks for Victoria Beckham’s fall 2017 collection: a billowy skirt paired with a generously proportioned turtleneck sweater and slouchy, knee-high leather boots, all in a raspberry and burgundy color combination.
Cocoon in Vince in comfortable and practical pieces for weekday. Pleated midi skirt with a floral print ($275), leggings and cable-knit turtleneck ($395) and ankle boots. Shopspring.com.
Velvet wide-leg trousers ($99.90) from Massimo Dutti in an unexpected army green are paired with a matching jacket for a relaxed but sophisticated evening ensemble.
Fall is the season of the suit, like this plaid one with a long jacket and midi-skirt from Raf Simons’s first collection for Calvin Klein. Note the red cowboy boots, which takes the seriousness down a couple of notches.
Seen on the fall runway of Danish designer By Malene Birger, this ribbed turtleneck sweater with metallic threads has sleeves that graze the elbow. $495, netaporter.com.
Amy Smilovic is a big believer in the oversize trend. It’s easy to see how a girl could hide in this high-neck check dress with billowy bodice and sleeves. Again, boots add the fun factor in this photo from the Tibi fall 2017 runway.
Multi-color, floral print high-collar blouse with fabric bow detail and long puffy sleeves with pleats on the seams has a Gucci vibe without the high price. $49.90, zara.com.
A polished, monochromatic outfit that’s all covered up. For her 2017 runway, Carolina Herrera paired a kind of preppy crewneck ribbed sweater with a feminine flowy chiffon and lace skirt.
Joseph’s oversize suit with classic men’s tailoring reads feminine because of the irrepressible pink color. Jacket, $895; turtleneck, $245; pants, $675, joseph-fashion.com.
FOR MICHELLE OBAMA’S official White House portrait in 2009, she bared sculpted arms and then again for former President Obama’s first congressional speech, never mind that it was February. The public gasped but it wasn’t long before women were heading to the gym to lift weights so they could show off toned biceps and triceps in sleeveless sheaths. Fast forward to today, when for her portrait, Melania Trump chose a black tuxedo jacket with a thin black scarf around the neck, an almost military look, noted New York Times fashion critic Vanessa Friedman.
Last April, Friedman called it a reflection of our current culture that women are taking cover in high-necked, voluminous blouses, suits and mid-length skirts and dresses. (Now that cold weather is finally arriving, add turtlenecks and big sweaters to that list.) No doubt the recent spate of sexual harassment charges against Bill O’Reilly, Harvey Weinstein, Terry Richardson and so many more (including the U.S. president who hasn’t been prosecuted) are influencing women to arm themselves in clothing.
As well as offering protection from winter chills, there’s also something appealing about hiding one’s less desirable body bits in oversize jackets and pantsuits. Still, all covered up won’t suit everyone’s figure. For example, petite figures will want to avoid the dwarfing effects of a midi-skirt and slouchy sweater. And oversize anything doesn’t work for larger women either. Monochromatic pairings of, say a trim knit and a pencil skirt, convey a covered-up effect without all the extra fabric. And if you absolutely hate this trend, take comfort. As a Washington Post colleague once remarked about Mrs. Obama’s arms, don’t get too pumped up. No one will care as much about their bare arms and/or wearing sleeveless sheaths in a few years.
In the photos above, see what designers like Victoria Beckham and Amy Smilovic of Tibi showed on their fall/winter 2017 runways and our picks for ways to wear the look off the runway.
—Janet Kelly
MyLittleBird often includes links to products we write about. Our editorial choices are made independently; nonetheless, a purchase made through such a link can sometimes result in MyLittleBird receiving a commission on the sale, whether through a retailer, an online store or Amazon.com.
MANY THINGS sound the death knell for intelligent life on planet Earth, or at least here in America since I suspect other cultures are much smarter, which is why we always end up way down on the list of global surveys regarding student scores, general happiness of the citizenry and good health. But one that irks me quite a bit is the fact that cursive is no longer taught in our public schools, having been deemed a waste of time now that everyone uses computers to write everything. I suppose printing the alphabet will stick around so kids can text their moronic message like LOL, ROFL, SMH, BTW, TMI and ATROTBS. (I just made that last one up and it means All The Rest Of That Bullshit, but I bet if lots of you start using it it will become part of the texting lexicon.) Writing cursive is fun, not to mention beautiful, and has long been used in police work as offering a peek into someone’s psyche.
Also on the wane is simple math, like 2 +2 = 4. My own son, having attended a decent university and approaching 30, besides being one of the smartest people I know, who reads books I cannot pronounce just for fun and quotes authors whose names I could not spell correctly given all the time in the world (Kieerkegaard? Kirkegaard?), unabashedly struggles with the basics of math, shrugging his shoulders like it’s no big deal. His defense, being that if you’ve got a calculator on your iPhone what difference does it make, holds water.
So how dumb will people get? The sky’s the limit! BTW, that expression originated at a time of optimism and progress in the USA, just before WWI. The earliest citation is from the New York newspaper The Syracuse Herald, in September of 1911: “Then good luck, and remember the sky’s the limit.” Despite that, many people still wrongly attribute it to the writer Cervantes.
See that? Google has made it possible to know everything while actually knowing nothing. This is either really good or really bad news; only time will tell.
THERE ARE SO MANY things to like about Emma Thompson. She smiles with her eyes; she poses lightheartedly for the camera. You can imagine having a conversation with her like you would with a good friend. She didn’t hesitate to call Harvey Weinstein a predator, not a sex addict, or to raise hell when a co-star in the 2008 film Brideshead was asked to lose weight. Then there are her two Oscars—one for best actress in Howards End and another for best adapted screenplay (she writes, too) for Sense and Sensibility. She has been in a slew of other films and TV adaptations (notably “Wit”) and has two new films, The Meyerowitz Stories and The Children Act.
Emma Thompson looking like she’s having fun at the May 2017 70th Cannes Film Festival, posing for pictures to promote her film “The Meyerowitz Stories.”/ Photo by Joanne Davidson/SilverHub/Rex/Shutterstock.
JANET: The 5-foot-8-inch, 58-year-old Thompson keeps it simple and comfortable in Cannes, above, with a long, loose tunic and white cropped pants with decorative gold buttons. The gold does a repeat in her necklace, which ties both halves of the outfit together. Her bootie-like shoes with a cut-out in the vamp are unusual, but the more I look at them the better I think they look here than the expected sandal.
NANCY: Yes, simple. Also quite casual. The men at her sides are in suits, which leads me to think the occasion was supposed to be a bit more dressed-up. That said, as I’m sure Kathy will point out, Thompson sure looks comfortable!
KATHY: She does indeed look comfortable. No wobbling around in horrible heels. I’ve long been a Thompson fan. She seems like she would be the best girlfriend ever. Smart, fun and funny. Plus her acting talent is beyond brilliant, in my opinion. She always appears confident and at ease, which is why this casual combo works so well on her even in a high-octane locale like Cannes. The focus is on her. Not her clothes, even if the clothes are as breezy as these. Goodness knows she can go glam. I remember the Armani (I think) gown she wore when she accepted her Howard’s End Oscar. It was divine.
Sassy in shocking pink. Thompson at the premiere of “The Meyerowitz Stories” at the 61st BFI London Film Festival earlier this month, October 2017. / Photo by Andy Rain/EPA-EFE/Rex/Shutterstock.
JANET: This is a great color for Thompson, who glows in her two-piece suit. I would have liked the scooped-neck black top to have some detail to hold its own against the striking suit. As we’ve pointed out before, buttoning a jacket all the way up makes it puff out in an unflattering way. Thompson pulls it off anyway as she mugs for the camera, looking as if she’s making fun of her bizarre-shaped shoes.
NANCY: I’m as big a fan of ankle pants as Thompson seems to be. Even at 5-foot-8, she benefits from not looking nailed to the floor, which is sometimes the effect, I think, of longer trousers. That separation between pant and shoe does call for a substantial shoe; I mean, if it’s hanging out there, it had better have some personality (maybe not as much as the weirdly cut shoes she wore in Cannes, though). One question arises: Has anyone seen Emma Thompson’s waistline recently? Not that any fashion law requires her to show it, just wondering.
KATHY: Interesting. I had never considered longer trousers having that effect, but since Nancy has pointed it out I must give it more thought. Thanks, Nance. I’m not nuts about this suit. Seems a bit frumpy. Although that could just be the result of the camera catching a gesture in mid-movement. But I do like the shoes, and her blond bob is quite youthful and flattering. I’m a fan of out-of-the-ordinary shoes. They can add some spunk to an otherwise meh outfit.
Thompson out and about during the 70th Cannes Film Festival in May 2017. / Photo by Alex Huckle /SilverHub/Rex/Shutterstock.
JANET: It’s clear Thompson puts a premium on comfort, wearing slightly flared cropped trousers, an untucked shirt and flat sandals. We’ve talked before about the wisdom of a uniform (which this black and white combo looks like), particularly when you’re traveling.
NANCY: Yes, yes! This is the look I aspire to just about every morning. LittleBird Kathy often dresses like this and looks just as crisp and pulled-together as Thompson does. Just looking at this woman makes me happier; she looks as if she’s fun to be with. And her outfits get that message across rather well.
KATHY: Love it! She’s wearing my go-to outfit. You can never have enough black pants and white shirts. Doesn’t she look wonderful? Hmmmm, I think I need that necklace.
Emma Thompson on a pink carpet at the world premiere of “Bridget Jones’s Baby” in London a year ago. / Photo by Dominika Zarzycka.
NANCY: Okay, not my favorite look. Hate the pants. And the shoes. Even the top. It’s athleisure unbridled. But it’s clear at this point that Thompson cherishes comfort, and the outfit does look comfortable. So I’ll shut up.
JANET: Thompson is adorable, and I like the color here, but I’m not a fan of elastic-hem pants. Reminds me of pajamas. Even if the carpet is pink, it’s not sophisticated enough for a star of Emma Thompson’s magnitude.
KATHY: On this one, the LittleBirds are in complete agreement.
Thompson at the premiere for “The Meyerowitz Stories” at Cannes in May 2017. / Photo by Featureflash / Shutterstock.
NANCY: So this seems to be a slightly dressed-up version of what is clearly Thompson’s uniform. Note to self: The short crop of that jacket is not a help; it cuts across her at her widest, and since I have a lot of wide spots, I’d better forget this crop-of-the-moment. Thompson does seem to have a thing for weird shoes, which might be a challenge for a lot of us. Where everything else is simple, they provide the punctuation. Her neck looks rather bare, but I guess a necklace would have been too much in concert with those fanciful earrings—Thompson either has or is a good editor.
JANET: This whole look is a misstep on Thompson’s part. The short yellow jacket hits her at the widest part of her body, which does nobody any favors. The shoes look like a bad patchwork. That white strip covering the toes defeats the whole idea of sandals.
EVER HAD makeup applied for a special (or not so special) occasion, liked the result and tried to replicate the effect? Fuhgeddaboudit. Those cute little instructional charts of a face specifying where to place expensive product A and more expensive product B don’t cut it.
So, when this weekend’s Wall Street Journal ran a story about an increasing number of beauty people creating YouTube tutorials targeted to an older female audience, it got my attention. More mature faces need different advice. Got it. We’ve all heard less is more, but how much less and what should there be less or more of? The only time I’ve watched a makeup how-to before was one of Angie Castellano’s laugh-out-loud segments. And that was mostly for much-needed comic relief. But I see the sense in following an instructional video on your smart phone while you’re in your bathroom anyway getting ready for the day.
“Five minutes” in the titles of the videos by Lisa Eldridge, creative director of Lancôme Makeup, and actress Monique Parent spoke to my lazy girl habits. Moreover, watching someone blend in foundation is literally watching paint dry. Although I found Parent’s repetitive refrain (“ain’t nobody got time for that”) annoying, I appreciated her fast-forwarding the blending process. In their minimal approach, both women skipped eyeliner, while advocating mascara to wake up the eyes.
Eldridge advises adapting your minutes to suit you. You can’t do everything, says Parent. Focus on one thing to spend more time on.
The video of SugarPuffAndFluff’s vlogger Nisha spends a long 19 minutes focusing on how to minimize the look of droopy eyelids. The importance of a groomed brow and the use of darker and lighter shades of eyeshadow to make areas recede or come forward are my takeaways.
The three women provide links to and/or names of the products they use. Eldridge sticks to Lancome, while Nisha and Parent propose a variety of brands.
Have you gotten any tips from makeup tutorials? We’d love to hear from you about which ones you’ve watched and what you’ve learned in the comments box below!
LIKE A NEWBORN baby, a blank page holds so much potential. One of those ended up being the first page of “The Great Gatsby,” F. Scott Fitzgerald’s brilliant novel that begins with the memorable first sentence, “In my younger and more vulnerable years my father gave me some advice that I’ve been turning over in my mind ever since.”
Not me. My father never gave me advice about anything except bowling. This would have been great if I had become a professional bowler, or even just an avid bowler, someone who bowled regularly, say in a league with friends. I did not, and so all his excellent advice (he once bowled a 300!) was wasted. To be fair, Dad also taught me a lot about dry cleaning, and that has come in handy over the years. Like when you get a stain on something, the quicker you deal with it the better. If it’s something you are wearing, just take the garment off immediately and get it in the wash, or at least soak it with cold water and sop up most of the stain that way.
As for my mother, she was a bit of a radical who passed along the following guiding principle long before it became a bumper sticker: “Question authority.” I took it to heart and I can’t say it’s done me much good, other than to alienate almost every boss I ever had. She also taught me the fine art of worrying about everything that could go wrong, which I turned out to be really good at and continue practicing to this day.
Anyway, my parents were surely good people and did their best, I have to assume, but they certainly did not send me out into the world with much I could use. Whatever I’ve learned has come to me through years of trial and error, and once in a great while, from a book. Which brings me back to my opening statement about the blank page and the baby and the potential. I tried to be a good mother to my own child and thought I had covered all the bases: Baking cookies, reading bedtime stories, trips to the art museum, getting him swim lessons and vaccinations and braces on his now perfect teeth, helping with homework and school projects and teaching him how to drive (he is an excellent driver!) and eventually letting him hang out with his friends in our backyard smoking pot because at least I’d know where he was and what he was smoking.
But it turns out I was not that great after all, because now my son reports that the only thing he “got” from me, at least as of yesterday afternoon, was the worrying gene. If I could start his life over I wouldn’t say a word, just feed him and change his diaper and nod approval or disapproval at the appropriate times. Alas, since I cannot I keep approaching blank pages, hoping I might fill the next one with something of value to someone, somewhere.
Isabel Marant’s Crisi Suede Wedge Heel Ankle Boots look comfy (they’re leather lined and have pull tabs) for easy on and off) and chic with their cowboy details $680, isabelmarant.com. Also available in khaki.
The subtle cutout on Rag & Bone’s Margot ankle boots is a leg-flattering detail. And the nubuck material is similar to but more durable than suede. $495, netaporter.com.
For those with packed schedules, you can easily slip Söfft’s Bergamo distressed floral-printed leather bootie on or off. Stacked heel and cushioned footbed makes them comfortable to wear for hours on end. $129.95, sootheshoestorepittsburgh.com. Also available in waterproof leather and water-resistant suede.
Got skinny jeans? Wear them with Franco Sarto’s zip-up, slightly distressed suede bootie with low stacked heel and low vamp. $119.95, nordstrom.com. Shown here in gray. Also comes in black and beige.
Ooh-la-la. Blue velvet booties with a practical rubber and leather sole, side zipper and block heels. $155, stories.com/us. Also in black suede, black leather, burgundy and red.
Dress up and add instant oomph to your wardrobe with Stuart Weitman’s kitten-heel (they’re back) Ladyspat. $575, stuartweitzman.com.
Here in graphite (it also comes in rust, black, chestnut and taupe), Everlane’s pull-on suede boot with a 2-inch stacked heel and back tabs is designed for busy urbanites. $225, everlane.com.
Sorel’s Cozy Joan faux fur-lined booties are as cute as it gets for sloshing around securely in the cold and wet of winter. $140, netaporter.com.
I RECENTLY stopped in at a trunk show for Soothe The Sole boutique and even though I bought a pair of very cute black suede kitten heels with pompoms, I looked longingly at the selection of ankle boots. Never mind that I already have three pairs. The look changes just a jot and suddenly the ones you own appear hopelessly outdated. I’m still in like with my Rag & Bone booties that I bought several years ago though I kind of wish the toe was just slightly pointier. A young businesswoman I know who attended (she’s the head of a startup called GoJaneGo, aimed at female business travelers) opted for a pair of floral Söfft booties (trendy but practical). I eyed some studded cowboyish ones from Antelope in metallic. My size wasn’t available that night and admittedly they were a bit out of my comfort zone.
So many choices—on the pricey side are Isabel Marant’s hip flat boot with a concealed wedge heel and Stuart Weitzman’s retro-style spat with kitten heel; easier on the budget are Everlane’s pull-on suede boot and Franco Sarto’s zip-up vamp style. Whatever price range, material (for example, they come in leather, suede and velvet) or height (stacked heel, kitten) you choose, this is a versatile shoe that can play well with the clothing in your wardrobe.
Those popular mid-length skirts and dresses you see everywhere can make you seem stubby but pairing them with ankle boots lets you show off the thinnest part of the leg, so your gams look trim and graceful. Flowy hemlines look particularly good with this style. But if you’ve got chunky ankles or heavy legs, booties will call attention to that area. Choose dark-color fitted or tapered pants or jeans that fall just at the top of, say, a black boot. Dark tights paired with a dark skirt and boots also can give you a leg-lengthening effect. I’m still looking for a way to wear my favorite boyfriend (read relaxed) jeans with ankle boots. So far, no luck. Suggestions welcome.
ANYONE ON the fence about having cataract surgery has good reasons to delay— mainly the general advice given about elective surgeries: Wait until the issue interferes with your life, specifically with an activity you enjoy. For example, early cataracts can make it difficult for sailors and skiers to see in bright sunlight.
At least three out of five people over age 60 will develop cataracts.
The process begins with clouding of the eye’s lens that makes it harder to see—described as looking through a car’s dirty windshield or dirty eyeglasses—caused by breakdown of tissue that stiffens and hardens the lens. For many, difficulties decrease with prescription glasses and brighter ambient lighting.
As cataracts expand, they can cause dim, blurred, yellow and double vision, and dull color vision—and around bright lights create halos or what have been described as “star bursts of light.” Trouble focusing can interfere with playing a sport, and night vision can become so impaired that it’s impossible to pass the driver’s test vision assessment. Cataracts can also affect depth perception, making it hard, for example, to pour a cup of tea.
Cataract surgery usually lasts less than half an hour. Some activities are curtailed for weeks afterwards, such as driving and leaning over to pick up heavy objects. For cataracts in both eyes, surgery is usually scheduled several weeks apart.
For the procedure, the eye is numbed with anesthetic, a small tool is inserted to break up and suction out the cataractous lens, and a new lens is implanted. These lenses are made of plastic, silicone or acrylic —and reputedly last forever. For clouding following surgery—caused by fragments from the original lens—a laser procedure to create a small hole in the capsule alleviates the problem.
In the past, cataract patients were offered only monofocal lenses, which focused vision at a single distance. Prior to surgery, patients chose which distance they wanted—based partly on whether they had previously been near- or far-sighted, or had normal vision. Unlike with eyeglasses or LASIK surgery to correct nearsightedness, however, it wasn’t possible to try out the new vision beforehand —and not everyone was happy with their choice.
A recent alternative is the multifocal lens—often compared to progressive eyeglass lenses—which obviates the need to choose between near and far vision for the replacement lens. These can work by presenting two images to the retina, one focused close, and the other, far away. Or they can incorporate a flexible lens that enables the eye muscles to focus either to close or far away.
For now, though, awaiting further development of multifocals is another reason to delay cataract surgery. Those currently available risk creating haloes around lights at night and decreasing contrast—which makes it harder to see in dim light—the same issues caused by cataracts. A plastic gel injected into the eye to create a “highly pliable new lens” is currently under investigation, according to the New York Times.
Another new lens design, called toric, corrects astigmatism. Considered “specialty” lenses, and thus not medically necessary, neither is covered by insurance—with multifocals costing more than $3,000 per eye.
“I definitely tell my patients about multifocal lenses, but I don’t recommend them myself,” Dr. Peter Egbert, Cataract Service Director at Stanford University, told the New York Times. “The fact is, I wouldn’t want one in my eye.”
Other experts disagree, saying, for example, that how well multifocals work depends in part on how healthy the eyes are—a good reason not to wait too long for the surgery. Also, if a lens becomes too hard over time, it can become difficult to remove—creating greater risk of complications.
A final reason to wait is that all surgery carries a slight risk. In as many as 2% of eyes, infections, swelling and bleeding can occur. In the end, it’s a personal decision —but most of those who’ve gone ahead agree: You will know. When your vision bothers you, you’re ready for surgery.
—Mary Carpenter Mary Carpenter keeps her eye on living healthy for MyLittleBird.
HELEN MIRREN has played a queen so often, it’s easy to think she’s royalty. In 2003, she was appointed a Dame Commander of the Order of the British Empire, so there’s that, and in 2015 the 72-year-old actress became one of only 23 actors in the world to win acting’s triple crown—an Oscar, an Emmy and a Tony. She rebels against using the term “anti-aging” in an interview in the September issue of Allure. A champion of women’s rights, she joined the NYC Women’s March in January. A role model for sure, and that’s before we get to chatting about her sense of style.
Mirren at the 69th Annual Directors Guild Of America Awards, Beverly Hilton Hotel, February 4, 2017. / Photo by Tinseltown. / Shutterstock.
JANET: Instead of going for the expected glamorous gown, Mirren mixed it up for the Director’s Guild of America Awards last February wearing a shimmery white skirt with silver dots, topped by a simple gray V-neck sweater with silver necklace and drop earrings. Those who don’t like to bare arms, take note. The gray, white and silver complement one another, and the look reads unified. What pops are her eyes and lips. The message: I know what I like and what flatters me and I’m not afraid to experiment.
NANCY: You have to be supremely confident to pull off this understated look. Even now I can hear the stylists clucking about how down-home she looks (and not in an admiring way). I would look as if I had forgotten where I was going! I think it also helps to have a famous face, another attribute most of us are lacking: When the kleiglights hit, all attention is on her wonderful, glowing countenance.
KATHY: I bet the sweater is cashmere. Silk? Whatever. It looks so soft and light. Pairing it with the shimmery skirt is a terrific idea. The combo has a wonderfully dressy/comfy look. I know I harp on comfort (a lot), but I really feel it’s impossible to look good when you aren’t comfortable in your clothes. So many gowns seen on red carpets look so difficult to wear. As if the wearer must spend time worrying about keeping the gown in place. Dame Helen looks as though she could thoroughly enjoy the evening in this combination.
Dame Helen Mirren at the 2016 Palm Springs International Film Festival Awards Gala. / Photo by Featureflash Photo Agency. / Shutterstock.
JANET: Looking very Queenie in head-to-toe royal blue, Mirren again pairs a curve-hugging soft-knit long-sleeve cardigan with a skirt, this one shiny and full, with practical pockets. A metallic belt adds a touch of glitz while showing off her trim waist. Pear-shaped dangly sapphire earrings are the perfect matching accessory, along with an over-the-shoulder powder-blue bag that keeps hands free.
NANCY: This look was Oscar de la Renta’s gift to modern woman, here adapted and interpreted by this most-modern woman: an evening dress that’s a comfy sweater on top, a glamorous swish of skirt on bottom and deep pockets in between to let you look as relaxed and elegant as you feel. I can’t quite see a young girl wearing this to a gala; I think she would feel underdressed and unremarkable. But for a woman of standing, of experience and, okay, a fabulous figure, it’s definitely a good way to go. (About that fabulous figure: Some years back, while people [magazines?] were talking about Dame Helen’s “attributes” and how she used to show them off, I was doing a deep dive into old James Mason movies and stumbled upon the 1969 movie “Age of Consent.” In it, James Mason is an aging painter, and Mirren is a wild island girl looking to lock in a sexual rite of passage. So, one day, she waits for him in the surf and then rises slowly from the water, clutching a towel or something and revealing exactly why people have always talked about Helen’s belle poitrine and sensuous hips. It’s always good to go back to the source!)
KATHY: Geesh, she’s gorgeous. Look at the décolleté! Absolutely no call for beauty-enhancing (or distracting) beads on that neckline. She looks beautifully at ease in this monochromatic skirt and top and quite elegant. Even though she’s covered up, her figure isn’t, and there’s a lesson for all of us there: You don’t have to be bare to be beautiful.
Dame Helen at “The Leisure Seeker” premiere, Toronto International Film Festival, Sept. 9, 2017. / Photo by Michael Hurcomb. /REX / Shutterstock.
JANET: All hail Mirren in this fitted Dolce & Gabbana aubergine knit dress with a flouncy hem, which she wears with black tights instead of more predictable pale hose. A demure look, but the bejeweled pumps and purse provide the sparkle and an Italian fan, the movie prop.
NANCY: Wait a minute. This isn’t the Mirren I know and love. I find the dress contrived, as well as the bag and shoes; probably on-trend, but why? She’s not the Sicilian tart of Dolce and Gabbana’s dreams. Of course she has the figure to pull it off, but I’ll just stand over here on the side and wait until the real Helen Mirren shows up.
KATHY: Let’s talk hair for a moment. I, for one, am weary of seeing long hair all over the place. It’s refreshing to see short locks such as Mirren’s. Her hair always looks fabulous, and I especially like the loose, wispy flip she sports here. They tell us as we age our hair style should get shorter. Okay, I guess I can go with that, but that doesn’t mean it has to look old ladyish, right? Mirren’s certainly doesn’t. Sexy is more like it.
Backstage at the L’Oreal show, during Spring/Summer 2018 Paris Fashion Week. / Photo by David Fisher./ REX / Shutterstock.
JANET: Proving she’s just a regular dame and that she’s not perpetually red-carpet ready, Mirren turns up backstage before her turn on the runway at Paris Fashion Week wearing a navy blue bouclé biker jacket, long white shirt, jeans with cuffs turned up and suede ankle boots. Note to self and to readers: We can all wear this!
NANCY: She looks great! But can we stop for a moment to acknowledge that America has given the world the single most important piece of clothing . . . ever. Do I exaggerate? Perhaps. But jeans, blue jeans, dungarees, denims, whatever you call them, are tough enough and stylish enough to clothe the world. I know we complain about the ubiquity of jeans, but that’s only when we notice them at all. Most of the time they are the silent soldiers of the fashion army, allowing us to dress them up or down, wear them with a sweatshirt or a bustier, with diamonds or squash blossoms. I’m glad, though, that Dame Helen’s jeans, at least this pair, are not in any way shredded or holey. It’s an affectation that remains weird to my eye, and it would be too much with the fringed, unraveled edges of the tweed jacket.
KATHY: Meh. Maybe any of us could wear this look. However, I’m not so sure we should. But then I’m the one who has that thing against skinny jeans. Just don’t like them. Even when they’re completely intact. Even when they’re on Helen Mirren.
Mirren on the L’Oréal catwalk, Spring Summer 2018 Paris Fashion Week, October 1, 2017. / Photo WWD./ REX / Shutterstock.
JANET: Who says you can’t walk in a fashion show when you’re 72? Not L’Oréal, which sent a diverse group of about 50 models (featuring the brand’s makeup and the clothing of 15 designers) down the Champs-Elysées. Mirren exchanged her red-carpet looks for black lace-up dress brogues, a dark redingote-style coat with white stitching, wide-legged trousers and a cane she playfully twirled.
KATHY: I wouldn’t wear those pants, and if someone else hadn’t decreed that she wear them Mirren might not either. But you have to hand it to her. She wears them with panache.
NANCY: I bet Kathy’s right, that the L’Oréal stylists put this outfit together for Mirren. The very horizontal pants in particular are a dicey choice, for anyone below 5-foot-11. Mirren is only 5-foot-4; why would they do this to her? She’s giving it her sporty best, but the jeans outfit she wore before or after the show (the previous image) shows more common sense regarding silhouette. In a way it’s the same outfit: jacket, white shirt and pants, proving that fashion is all about the details. (I would wager, though, that she’s sporting the most comfortable shoes on the runway that day!)
—MyLittleBird
David Fisher/REX/Shutterstock L’Oreal show, Backstage, Spring Summer 2018, Paris Fashion Week, France – 01 Oct 2017 Helen Mirren backstage 1 Oct 2017
David Fisher/REX/Shutterstock L’Oreal show, Backstage, Spring Summer 2018, Paris Fashion Week, France – 01 Oct 2017 Helen Mirren backstage 1 Oct 2017
Photographer Michael Hurcomb/REX/Shutterstock ‘The Leisure Seeker’ premiere, Toronto International Film Festival, Canada – 09 Sep 2017 Helen Mirren 9 Sep 2017
MORNING HOURS of sleep can provide some people the best and deepest sleep of the night—music to the ears of those who relish morning snoozing—maybe because for them, natural (waking with no alarm clock) sleep includes more and longer “sleep cycles.” People generally need four to six sleep cycles, which last from about 90 minutes to two hours, during which sleep quality moves from very light to very deep, followed by REM sleep during which dreams are likely.
Adding minutes with the snooze button provides “crappy sleep,” according to Michael Breus, PhD, sleep expert for Web MD and in private practice in Los Angeles. Breus suggests setting an alarm for the last possible moment so there’s no temptation to go back to sleep; and when it goes off, sit up and breathe deeply to “orient yourself to the real world.”
Up to one-third of people living in industrialize countries suffer from “poor sleep.” Those for whom medical and behavioral solutions have proven unsatisfactory are generally advised, first, to pay attention to the length of their natural sleep time over a period of days. Then, in order to get more deep sleep, go to bed later and sleep later in the morning. The recommendations also apply to those struggling with restless legs, which can be triggered by sleep deprivation.
Restless Leg Syndrome (RLS) affects approximately 10% of the population and is one of the most prevalent neurological disorders in Europe and North America, with women being afflicted almost twice as often as men. Though the cause is unknown, nearly half of sufferers have a family member with the condition, suggesting a genetic explanation. Some are helped by medication; others by the FDA-approved Relaxis vibrating pad.
For all troubled sleepers, weighted blankets have recently become popular. Swedish researchers at the University of Gothenberg found blankets weighing more than 10% of a person’s body weight “provided beneficial, calming effects.” Of 31 healthy participants who completed the protocol, most chose the 8 kg (about 17½ pounds) chain-weighted blanket, and all experienced better sleep as measured both objectively and subjectively.
Chain-weighted blankets cost upwards of $1,200. Alternatives for lower cost (at Brookstone and on Amazon ranging from $100 to $200) and weight, starting at around 12 pounds, have beneficial effects, at least anecdotally. The Brookstone model, often available on sale, has been criticized for having a strong odor right out of the box but this dissipates once aired out.
Other sleep-improving suggestions include warm baths before bed; heating pads or ice packs—because a change in temperature can be soothing; and releasing tension with slow deep breaths, dim lights and soothing music.
Then there’s what to reduce or avoid: alcohol and cigarettes, and caffeine—with effects lasting up to 12 hours. Too close to bedtime, avoid electronic devices like computers and TVs; and exercise—although getting more during the day can improve sleep. During long periods of sitting—at work, on airplanes, even during long movies and lectures—try to walk around.
Also, pay attention to medication: iron supplements can help by increasing dopamine levels, while some anti-depressants as well as antihistamines have been linked to RLS and other sleep issues, although many OTC sleep aids contain antihistamines.
Melatonin can not only help with sleep but might be useful in long-term brain health. Among the array of prescription sleep drugs, some are targeted to help with falling asleep and others, for staying asleep. In the first category, the most popular is zolpidem or Ambien, though taking it can lead to both tolerance, meaning the drug no longer works, and dependence—so that without the pills, it becomes difficult to sleep at all. The new oral spray, Zolpimist, might help with short-term treatment.
Ambien and Lunesta are long lasting and, when there isn’t time to sleep for seven or eight hours, can cause grogginess the next day—as can the benzodiazepines, and these also risk dependence. Sonata, a newer medication, stays active in the body for the shortest period—meaning you can try falling asleep on your own, and then, if unsuccessful, take Sonata in the early morning hours.
Finally, less appealing behavioral measures to improve sleep suggested by MedicalNewsToday include “Stimulus control therapy—only go to bed when sleepy. Avoid watching TV, reading, eating or worrying in bed.” Also the more challenging: “Sleep restriction—decrease the time spent in bed and partially deprive the body of sleep, this increases tiredness ready for the next night.”
In personal experience, both anxiety and sleep have improved for one family member using a weighted blanket, and for another after a course of Mindfulness-Based Stress Reduction.
—Mary Carpenter Want to read more well-being posts? Click here.
BELIEVE IT or not, in my younger days I was considered to be quite amusing. Hysterical, in fact. My sense of humor was my number one trait, eventually leading me to writing a recurring humor column for a respectable metropolitan newspaper. I was required to be funny every week, and I always managed to come up with something. Looking back at that time, it seems miraculous that everyday life actually offered up so many funny situations.
Not anymore. These days I could write a daily misery column and never run out of topics. Recent chaotic events, like the mass murders in Las Vegas, are easy targets, no pun intended.
As for me personally, my recent heart attack and hospital stay were certainly no laugh fest, although I could definitely do a riff on my cranky roommate and her extended family, the whole lot of them holding a bedside vigil from morning ’til night. With just a thin curtain separating our beds, I heard far more than I needed or wanted to, including recipes for moonshine and a constant barrage of distasteful, moronic jokes.
So, what’s a writer to do?
Plumbing the depths of despair visible on all fronts, a bright nugget of goodness shines. Just about two weeks ago my husband and I went off on a three-day holiday to Monhegan Island, that tiny paradise located 12 nautical miles off Maine’s coast. As we waited to board the ferry, a chill wind brought in with dense fog causing me to zip up my fleece vest and pull down my woolen cap, I noticed a fellow passenger who was dressed for a summer day in sandals, a thin sleeveless blouse and a pair of cotton capri pants. Impulsively I approached her and asked, “Aren’t you cold?” In retrospect that was a stupid question since of course she wasn’t, but it started a lively conversation that lasted for the next hour and a half, with both of us feeling as if we had known each other in a past life. Our husbands joined in and the four of us clicked like old friends, exchanging life stories as we made our way to Monhegan.
Over the course of that weekend Mitch and I saw Teresa and Jim a few more times, and by Sunday afternoon when we had to leave, it was painful to let them go. So we didn’t. Now we look forward to visiting them next month in Charlottesville, Virginia. Despite the old saw that it’s hard to make new friends once you’re past 30, clearly we had done it, leading me to conclude that despite the craziness running rampant in the world today, magic still happens.
Designer Raf Simons gave a nod to Americana with tip-to-toe denim for his first collection for the Calvin Klein label, fall 2017.
A saddle bag has cowgirl connotations, but in loden it’s a completely modern update. $295, clarev.com.
No need to be literal with fringe. This hem keeps the dowdy out of a midi skirt ($25.90, zara.com). The jacket is a traditional shape but in beige vinyl ($149, zara.com) it’s a lot more fun.
A washed-denim, slightly oversize gauze shirt with gathered sleeves plays well with jeans or a denim skirt. The fluttery sleeve balances the straight-leg jean. $78, sold out at made well.com.
Studded with gunmetal balls, this slim belt would look chic wrapped and styled over a knit dress or looped through jeans. $148, nordstrom.com.
Plaid goes flirty in this sheer cotton tartan shirt from Tommy Hilfiger. $119.50, usa.tommy.com.
No ordinary denim jacket, this one from Zara features long, puffy sleeves. Gem patches gussy it up. $89.90, zara.com.
It’s easy to fall for the fringe on this Duchess Western ankle boot from Ariat. The perfect heel for strutting city streets or out on the range. $159.95, nordstrom.com.
This silk blouse’s snap buttons and piping with puff sleeves and a cherry print are a girly take on the western trend. $495, coach.com.
My friend’s khaki pants with that cool side stripe.
WHEN MEGA-talent Raf Simons filled the fall 2017 runway for Calvin Klein with head-to-toe denim and metal-tipped cowboy boots, trend watchers took note. Other designers followed suit on this western vibe with plaid shirts, bold studded belts, embellished booties and fringe. Fashion publications like Harper’s Bazaar and the Wall Street Journal magazine got on the bandwagon showing models cavorting on horses and through the tumbleweed in prairie skirts, patched jackets and distressed boots. W magazine assured us the trend had legs for seasons to come. Like a lot of looks that are touted every new season, I ignored it. But then savvy managing editor Nancy McKeon asked me whether I thought any of these styles could have a place or fit into a grown-up girl’s wardrobe. Hmm.
It wasn’t until a friend of mine showed up at a lecture a couple of weeks ago wearing a light blue denim shirt with navy-and-gold side-striped khaki pants (both purchased from J. Crew) that I had an answer to that question. My pal looked polished but comfortable, nor would I be in the least surprised if when I see her again, she’ll be pairing either pants or shirt with a suede leather jacket and maybe some low, stack-heeled boots. No rodeos or prairies in sight.
So, if you have an itch to incorporate a little bit of western in your everyday clothing, take a gander at some photos of what we’re hankerin’ for above.
I RECENTLY spoke with an attractive young woman, still single as she approaches 40, who shared some of her negative thoughts about Internet dating. Apparently people don’t always turn out to be true to their online descriptions. (Imagine that!)
My generation had its own version of web dating with “personal ads” placed in magazines and newspapers read by the so-called intelligentsia. I answered more than a few of those, finding them an easy way to meet interesting people from other walks of life. Unlike today’s dating sites, where an alluring photo is the primary motivation for getting together, the old personal ads were all about crafting a description that implied brains, wit and a decent income. Once you found someone that fit the bill, a phone call or two gave you a glimpse of personality. If all went well, an in-person meeting was arranged.
The worst one I ever had was with a psychiatrist who sounded great on the phone. We talked for an hour or more. He was funny, another of my requirements, and since I was prone to insanity I figured dating a shrink would save me a lot of money in the long run. I had clarified that I only dated men 5’10” or taller, and he assured me he was well above that, describing himself as “towering.” When we met in person I was appalled: The top of his head barely reached my chin. (Even worse, from that vantage point I could see his bald spot.)
My advice to young people looking for a mate these days is to forget about Tinder and eHarmony and Match.com and do it the old-fashioned way: Live your life. You’re bound to bump into someone you can stand who also can stand you.
“SATURDAY NIGHT LIVE” comic actress Leslie Jones made headlines in June 2016 when she tweeted she was having a hard time finding a designer to make a dress for her “Ghostbusters” premiere. Christian Siriano, who came to the attention of most of us by winning “Project Runway” in 2008 and then launched his own fashion company, stepped up to the plate and created a lipstick-red off-the-shoulder couture gown that caressed Jones’s curves.
The duo again collaborated for the 2017 Emmy Awards, when Jones wore a custom-designed Siriano black glittery gown. The previous week, the comedy star was front row at Siriano’s runway show during New York Fashion Week. Because Jones, who recently celebrated her 50th birthday, is clearly loving her clothes, we took the opportunity to look at her new event-ready wardrobe and see what lessons we might learn.
Leslie Jones on the red carpet at the 69th Emmy Awards September 17, 2017 in Los Angeles. / Photo by Kathy Hutchins / Shutterstock.
JANET: Sequins are on trend this season, and Jones sparkled at the Emmys for her first nomination in this curve-hugging Siriano gown. The dress’s combination of beading and sheer overlay alternately hide and reveal Jones’s décolletage, arms and legs. The thigh-high slit lets her show off one of her toned legs.
KATHY: Full disclosure: I am one of Leslie Jones’s biggest fans. It cracks me up when, in a split second, she bounces from “raging black woman” to flirty vixen while sitting next to Colin Jost during Weekend Update. I just wish SNL would find more room for her. Now, about the black gown. It’s smashing. It plays up those long, strong legs, and since I’m not a fan of baring too much, I’m on board with the sheer fabric that holds it together. It’s sexy. She’s sexy.
NANCY: It’s a sweep—I think this look is dynamite. It has lessons for those of us who have only a few assets we wish to share with others; the peekaboo sleeves can camouflage so many of the upper-arm realities we learn to live with as we age. And the shaping of the bodice gives much-needed structure (one glance at the green dress below will demonstrate that) that allows the rest of the dress to drip romantically. And yes, Kathy, sexily.
Jones, who made it onto Time Magazine’s 100 Most Influential People of 2017, at the Time 100 Gala on April 25, 2017. / Photo by Debbie Wong / Shutterstock.
JANET: In an above-the-knee black-lace and sheer-paneled keyhole dress by Tadashi Shoji for his Resort 2017 Collection, Jones followed the formula for the Time 100 Gala she had favored for the Emmys. Note the flattering three-quarter sleeve that stands slightly away from the body. The diamond hoop earrings and coordinating bracelet are all the jewelry she needs. I might have swapped out those ankle-wrap stiletto sandals, though, for a pump. The sandal strap interrupts the long line of the leg.
KATHY: I see what Janet means about the stiletto strap, but a pump just doesn’t feel like Leslie to me. Plus a pump would have hidden those blue toenails. The woman just seems to like to put it all out there. I’m with Janet, however, on everything else. This is a lovely look for a statuesque woman. Sophisticated, yet girlish at the same time. Plus it shows off her waist.
NANCY: Tadashi Shoji is the go-to design house for the more robustly figured celebs (and non-celebs: Every Junoesque woman I’ve buttonholed at the White House Correspondents’ dinner over the years has been wearing a Tadashi Shoji confection). It’s not that the Japanese-born Shoji specializes in large or tall sizes; it’s just that, like Christian Siriano, he seems eager to embrace all body types. Take a look at his shopping site; you can select not just by size but by silhouette (full bust, apple, hourglass, etc.) and neckline and sleeve length. That said, I’m not sure exactly why, but this dress just doesn’t do it for me. Being short, it winds up looking (to my eye) more horizontal, something most of us do NOT need. Then again, if it were long, Jones would risk being swaddled in too much fabric and would look enormous. I’ll just sit this one out. (But I love it when she spikes her hair out like that.)
The Saturday Night Live comedy star at the BET Awards 2017 on June 25, 2017 in Los Angeles. / Photo by Kathy Hutchins / Shutterstock.
JANET: As host of the BET Awards, Jones wore a long green gown with plunging neckline and a thigh-high slit. I suppose she wanted a daring look for one of the music industry’s biggest nights, but too much exposure is, well, too much exposure. She would have been better off with just the leg slit. A halter top is challenging for even the most flat-chested among us. Add pleating and it just looks like a wardrobe malfunction.
KATHY: This is my least favorite of her choices. Admittedly she wears the color well, but it isn’t a color in my rainbow. Leslie, we know you have boobs, but we don’t need to see them. This is a complaint I have with so many red-carpet gowns: They bare far too much.
NANCY: Amen. I want to tell all those red-carpet celebs to put “the girls” back inside the dress; that’s why God invented clothing. Beyond that, a halter is a tricky thing: It can emphasize swanlike necks and emergent collarbones, but it can also make the more robust, as I’ve taken to calling it, look like members of the college wrestling team. With her thousand-watt smile, Jones can make anything work, but no amount of double-sided tape could make one of these bust-baring halters work for the rest of us.
One of the outfit changes for Jones at the BET Awards Show in Los Angeles. / Photo by Michael Buckner / Variety / Rex / Shutterstock.
JANET: Bold jewel tones suit Jones as in this monochromatic (read: slimming) orange pantsuit, one of the outfits she wore for her BET hosting stint. I like how the white shirt worn underneath her blazer makes the color pop. Should that shapely jacket be left unbuttoned? I prefer that.
KATHY: Yes, Janet. It should. I would prefer that too so when she moves the jacket doesn’t get all cinched up. She looks fabulous in orange, a color too often overlooked, in my opinion. Bright, hot colors really suit her.
NANCY: I don’t have much to add. Great color, great fit, and yes, unbutton the jacket if you’re going to be flailing around like that. The monochromatic message is one many of us should heed.
Jones was front and center at Christian Siriano’s Spring/Summer show at New York Fashion Week September 9, 2017. / Photo by Clint Spaulding / WWD / Rex / Shutterstock.
JANET: At Siriano’s New York Fashion Week show earlier this month, Jones glowed in a shocking-pink cape and black leggings. This is my hands-down favorite look for the 6-foot-tall Jones, who thoroughly enjoyed her front-row status and whooped and clapped at the fashions as the models sashayed down the runway.
KATHY: She looks so ladylike in this cape. It’s one of my favorite looks for her as well. She was smart to choose a necklace that mimicked the neckline of her blouse. A nice touch of understated sparkle. It’s a swell daytime look for an important event.
NANCY: Agreed, agreed! So fluid. And perhaps more ladylike than Jones sometimes wants to be. But it’s a classic look that would arguably work for anyone. I could see Grace Kelly in this outfit, also any recent First Lady; hell, Queen Elizabeth II! But remember what I was saying about boobs a while ago? The woman seated next to Jones in the red dress is just as eye-catching as Jones but for the wrong reasons. Really? Marching the girls out in the middle of the afternoon? Leslie Jones wouldn’t do that!
BECAUSE THE pumpkins and candy are already being shoved down our throats by merchants hoping to score big this Halloween, I figured I might as well write my Halloween post right now instead of waiting until October. Besides, the ways things are going in our chaotic world these days, I may not even make it until then.
Once I was done with making costumes for my son and getting drunk at neighborhood parties, I continued to celebrate Halloween by carving jack-o’-lanterns. Sadly, last year I was even bored with that, finally coming through about an hour before dark on the big day with a sad entry: just eyes and nose and mouth, not even any teeth or eyebrows. It was obvious I was turning into that old person who rails about the holiday being bad for your teeth and devoid of all meaning. I was finished with the whole thing, heading down that path leading to a bowl of candy out front with a sign saying “Take one.”
But then yesterday at the post office, the clerk announced that the first holiday stamps had arrived, and they are for Halloween. He brought out a strip of twenty orange jack-o’-lanterns on a black background, all with big grins. Of course I had to have them. My purchase engendered a lengthy conversation with the postmaster, a man roughly my age, about how far Halloween has fallen from “our day,” back when you got all sorts of interesting things, not just the same boring wrapped candy bars and lollipops. “What’s it for anymore?” I asked.
He had a great answer, pointing out that Halloween is the only time people will open their doors for strangers and greet them with a smile, and a treat! It’s also the only time children are encouraged to approach strangers, and they do so without fear. People talk to one another on the streets, and it’s all very happy and festive, with almost nobody looking down at their cell phones. Really, when you think about it, Halloween is pretty much how life should be all the time. Except for the costumes. And the candy. (And maybe the pumpkins. )